I have posted (see here) about the long shadow cast in life and fiction by World War II. For the rest of our lifetimes, certain dates will have a single significance, e.g.:
"London, 1944."
-Poul Anderson, "Time Patrol" IN Anderson, Time Patrol (Riverdale, NY, 2010), pp. 1-53.
Having set the scene with those two words, Anderson elaborates:
"Somewhere came the crump of an explosion, and a fire was burning, great red banners flapping above the roofs." (ibid.)
"... - nobody was out when the V-bombs were falling -..." (ibid.)
John Grisham usually writes "present day" thrillers but his The Reckoning begins:
"On a cold morning in early October of 1946, Pete Banning awoke before sunrise..."
-John Grisham, The Reckoning (London, 2019), CHAPTER 1, p. 3.
We understand when we are told that Pete dresses slowly because of "...his war-wounded legs..." (ibid.)
The dates transcend the genres, encapsulating a common history.
1 comment:
Kaor, Paul!
I recognized that bridge in the picture, it's Tower Bridge, near the Tower of London. And I can tell we are looking south down the Thames River, because I don't see the Tower on the left.
Ad astra! Sean
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