Every SF Premise

Poul Anderson gives the impression that he systematically considers every possible sf premise. Thus:

humanoid aliens that are many times more intelligent than us;

humanoid aliens that are many times less intelligent than us (title?);

militarily superior humanoid aliens who do not conquer Earth militarily but sell their military services to the highest bidder among Terrestrial governments and thus conquer Earth economically;

aliens whose psychic powers and occult knowledge exceed ours;

humanoid aliens who meddle in Terrestrial affairs but only cause a deterioration in the course of events;

a sudden increase in human intelligence;

the first humanoid robot is unemployed;

organisms can be immortal only if they are sheltered from all radiation, deep underground.

Nothing turns out as expected?

Superiority

Poul Anderson's "Wings of Victory" and "Turning Point" are spaceship stories. One criterion for such a categorization is that they could be adapted as episodes of Star Trek although, of course, they are better as they are.

In "Turning Point," the problem - at least it is perceived as such - is a humanoid planetary population whose every member from the youngest to the oldest is many times more intelligent than Einstein or even than whichever individual currently possesses the highest IQ on Earth. 

Having rapidly learned technology from humanity, these Jorillians can be expected to build an interstellar civilization that we will neither understand nor be able to participate in. I would say let them get on with it but the human characters believe that such a development would demoralize mankind. I have been told that, in Battlestar Galactica, parts of the galaxy are inhabited, or at least used, by vastly advanced beings whom the regular characters simply avoid. Peaceful coexistence seems perfectly possible. Human beings used to believe that they shared their Terrestrial and cosmic environments with superior beings. Maybe in future they can live with that as a fact?

Familiar Andersonian touches -

Biblical quotation: "'...what is man that Thou art mindful of him?'" (p. 278)

A dramatic pause in a conversation is punctuated or underlined by the wind:

"There was a stillness. I heard the forest sough in the night around us." (p. 279)

The night signifies: no answer yet.

A problem is solved by a sudden moment of realization:

"Haraszthy stiffened. He sat like stone for an entire minute before he raised his face and whooped aloud.

"'Why not?'" (p. 282)

Four stages: stiffening; stillness; whooping; solution revealed later.

Possible solutions: Exterminate or quarantine the Jorillians? Something else?

On Joril

 

The Quest For The Perfect Planet by WE Johns was a juvenile sf novel about an attempt to find an extrasolar planet with an environment that would be perfect for human beings to colonize. Surely impossible?

In Poul Anderson's "Turning Point," a survey ship from Earth finds the planet Joril:

"...with more water than Earth, it offered a mild climate everywhere. The biochemistry was so like our own that we could eat native foods, and there didn't seem to be any germs that UX=2 couldn't handle. Seas, forests, meadows made us feel right at home..." (p. 268)

UX=2?

Eat native foods? Surely impossible when those foods are end products of an entirely separate evolution? Anderson usually writes about incomers at least needing dietary supplements.

A five-man gravboat team comprises:

Jacques Lejeune, pilot;

the first person narrator, unnamed as yet, engineer;

Commander Ernest Baldinger of the Solar Peace Authority Space Force, Federal militechnic representative;

Walter Vaughan, Federal civil government representative;

Don Haraszthy, Trader agent -

- all skilled planetographers like our Adzel on whom be peace in his alternative timeline.

That gives us some idea of the political setup and is as much as I am going to write over toast and coffee this morning before going out to gym. Zen group this evening and Andrea above the Old Pier Bookshop tomoz.

Ad astra.

Addendum: The following page names the narrator as Cathcart.

Some Turning Points

Poul Anderson, "Turning Point" IN Anderson, Conflict (New York, 1983), pp.267-284.

In the Acknowledgements:

"Turning Point," Worlds of If, copyright 1963 by Digest Production Corporation.

On the Contents page:

The Turning Point         267

On p. 267:

TURNING POINT

At the head of the even-numbered pages, 268-284:

The Turning Point

On the opening page, the first person narrator quotes:

"The die is cast"

"In this sign conquer"

"It is not fit that you should sit here any longer"

"We hold these truths to be self-evident"

"The Italian navigator has landed in the New World" (This was a surprise.)

"Dear God, the thing works!" (I can't find this.)

That opening passage is sufficient to determine that we will consider this story next.

The narrator reminds us that:

"...every planet is a complete world!" (p. 267) How many Anderson characters say that? If I had known that the question was going to come up, I would have counted.

He was on a ship that was surveying a planet that had been noted by the Traders - or maybe by another group called "...the Federals." (p. 267) All will be explained, of course. The crew had been surveying for a year and were "...jaded." (ibid.) This reminds us of Poul Anderson's Grand Survey ship, the Olga, and we have encountered interstellar Traders often enough before, of course.

It is good to know where we are going next.

All Of Poul Anderson's Future Histories

See Poul Anderson's Future Histories.

Maurai: post-nuclear-war Earth

Flying Mountains: asteroid colonization

Rustum: extra-solar colonization

Kith: interstellar trade

These four series sound like successive stages of a single sequence. Indeed, the asterites (asteroidal colonials) begin extra-solar colonization at the end of Tales Of The Flying Mountains. But it is not Rustum that they set out to colonize. These are four alternative timelines. However, a single future history can incorporate a Terrestrial future, staged extraterrestrial colonization and inter-systemic contact/communication/commerce. Thus, in Anderson's Psychotechnic History:

post-nuclear-war Earth

colonization of Mars and Venus

colonization of extra-solar planets, including Nerthus

the Stellar Union and its Coordination Service

Technic History:

The Chaos on Earth (off-stage)

exploration of the Solar System

the Grand Survey of extra-solar planets

the Solar Commonwealth, the Polesotechnic League and their successors

The Psychotechnic and Technic Histories demonstrate two ways to construct a future history series.

Psychotechnic: Follow Heinlein by compiling a future history time chart, then fit a series of stories into successive periods of the chart.

Technic: Link two previously independent series, then explain what happened between them. Why does Technic civilization have an early period of commercial expansion and a later period of imperial decline?

The two remaining future histories:

Harvest Of Stars: human-AI interaction.

Genesis: post-human AI.

These also sound like successive stages although they are alternative histories but they present ideas that could be combined with the other ingredients into one comprehensive future history series. 

Tomorrow And Tomorrow And Tomorrow

We have learned that:

futuristic sf becomes dated but -

the future does not turn out as expected. 

Thus, after the first Moon landing, many of us expected a period of regular, routine interplanetary travel with bases and tourism on the Moon and flights to Mars. In that case, a lot of interplanetary sf would have become dated very quickly but it hasn't done. Well, the habitable Venus with oceans or swamps and jungles and Heinlein's frog-like Venerians has gone. But lunar bases have not happened yet and are still taking a long time to happen. Is our Musk like Heinlein's Harriman or Anderson's Guthrie? Will time tell?

Whatever happens, it will not not be as anyone had expected. (I say this also about a hereafter in the extremely unlikely event that there is one.)

Our entire supply of bags of crisps, chocolate bars and glowsticks was not enough. Twice the amount needed for next year.

Tomorrow, I will be away from home for most of the day and might not post. Next week, we might return to rereading Poul Anderson's collections but let's see how that pans out.

With the Time Traveller, into futurity -

Diversity And Hallowe'en

We anticipate the diversity of Poul Anderson's Terran Empire - although I do not really expect anything like that interstellar civilization to come to pass. (Are FTL and multiple extraterrestrials going to happen?) My recent and current inter-faith dialogues comprise those with:

a woman Methodist minister last weekend;

a Muslim layman today;

Soto Zen Buddhist monks tomorrow;

Fortuna-devotee, Andrea above the Old Pier Bookshop, this Tuesday.

We are well prepared for Hallowe'en visitors. A lit pumpkin head outside the front door invites them to call. Each will receive a packet of crisps, a bar of chocolate and a glow-stick/bracelet. Anything not handed out will be kept for Christmas. Three young Asian boys have just called. I want to write one more post after this one, then get back to rereading Ian Fleming who is an extremely underrated good writer. He needs a new series of films based exactly on what he wrote - just as Poul Anderson needs a first-time-ever series of films based on exactly what he wrote. 

Graphic adaptations of Time Patrol and "Flight to Forever" could be visually spectacular.

Another three at the door. I also have a journal of current political analysis to read. Let me try to wind up this post now.

Different Directions In Hypertime

When our consciousness has expanded to encompass Poul Anderson's Technic History in its entirety, it can continue to expand in perhaps three directions. We need a multi-dimensional mega-verse to incorporate everything. 

(i) Anderson's Old Phoenix multiverse fills four novels and two short stories and connects with the Technic History to the extent that Nicholas van Rijn from the Polesotechnic League period of that future history visits the Old Phoenix, the inter-universal inn, in one of those two short stories. The Old Phoenix also interacts with Robert Heinlein's Future History, with William Shakespeare's major plays, with other works of fiction and literature and with much of the history of our timeline.

(ii) The Technic History, albeit important, is only one Andersonian future history. These alternative fictional histories address contradictory theoretical possibilities. Thus:

there is faster-than-light interstellar travel - two different versions of "hyperspace" - only in the Psychotechnic and Technic Histories;

there is a near-future nuclear war only in the Psychotechnic and Maurai Histories;

intelligent life is commonplace in the Technic History whereas any organic life is rare in Genesis;

in Genesis, only post-organic intelligences are able to traverse interstellar distances;

and so on.

(iii) The Maurai History provides one of the future periods visited by time travellers in Anderson's There Will Be Time, thus linking this future history to one of the author's several, mutually incompatible, time travel scenarios.

Thus, a direct link between the Technic History and the Time Patrol, no, but a direct link between the Maurai Federation and mutant time travellers, yes.

And I advise everyone to read or reread all that.

The Whole Technic History

Recent posts have shown (no surprise) that Poul Anderson's History of Technic Civilization divides into two main parts and that each of these parts can be analyzed almost, although not completely, on a tripartite basis. Thus:

(i) League

The People Of The Wind, in the early Imperial period

Earth Book

(ii) Young, Captain and Admiral Flandry in the later Imperial period.

The Earth Book covers some, although not all, of a pre-League period and some, although not all, of an intermediate period. Flandry has his contemporaries and his successors. Indeed, The Technic Civilization Saga, Volume VII, is Flandry's Legacy, covering both his later life and three post-Imperial periods:

Long Night;

Allied Planets;

Commonalty.

And now we have referred, however briefly or tangentially, to the entire contents of the Technic History.

Some might call this obsession but I call it fascination. (We alternate between referring to Saga and pre-Saga reading orders.)

Kinds Of Series: TV; Fleming; Anderson

Arthur Conan Doyle invented the series as a new kind of serial to be published in a periodical in which each episode is a complete story with continuity provided by characters (Holmes, Watson), setting (Baker St, Victorian England) and genre (detective).

In a typical TV series, the episodes are interchangeable with few or no cross-references and consequently no required viewing order. They are like axes radiating from a common centre rather than like successive segments of a progressive sequence.

Ian Fleming and Poul Anderson write in sequence. Bond tells Viv Michel that the top man of SPECTRE escaped and got it going again. Aycharaych congratulates Flandry on l'affaire Nyanza.

Anderson added a Young Flandry prequel and Admiral Flandry sequels to his Captain Flandry series and began to tell us about Flandry's daughter whereas Fleming, like the increasingly inauthentic films, began to keep Bond impossibly young but then rewrote the continuity. Bond is unchanged at the end, now fighting neither SMERSH nor SPECTRE but the KGB and:

"For James Bond, the same view would always pall."

-Ian Fleming, The Man With The Golden Gun (New York, 1965), p. 158.

That is the concluding sentence of the posthumous novel and a fitting epitaph. 

Flandry gets Diana started on her career which, unfortunately, we do not read.