Sunday, 16 August 2026

Three Descriptions Of The Milky Way

Tales Of The Falling Mountains.

(i) "...the shining belt of the Milky Way." (p. 13) (See The Milky Way)

(ii) "The galactic belt glistened, diamond against infinite darkness." (p. 50) (For other references to "galactic belt," see here.)

This description of the galaxy is followed, as happens sometimes, by a reference to another galaxy:

"...the far mysterious shimmer of the Andromeda Nebula..." (ibid.)

(iii) "The Milky Way turned her hair frosty and glowed in her eyes." (p. 65)

This description is unique: the galaxy reflected in a woman's hair and eyes.

We have noticed most Andersonian descriptions of the Milky Way by now but it is always possible to find a few more except that that is enough for this evening.

Tomorrow: rain or more gardening and Zen in the evening; blogging on an as and when basis.

Flying Mountains And Known Space

"'The Belt's going to grow!...This is the real frontier. The planets will never amount to much. It's actually harder to maintain human-type conditions on so big a mass, with a useless atmosphere around you, than on a lump in space like this. And the gravity wells are so deep. Even given nuclear power, the energy cost of really exploiting a planet is prohibitive. Besides which, the choice minerals are buried under kilometers of rock. On a metallic asteroid, you can find almost everything you want directly under your feet.'"

Plus which, solar energy is so plentiful that the asterites do not need (dangerous) nuclear.

Some of the same arguments are deployed in Larry Niven's Known Space future history where gravity wells are called "holes":

"For reasons of economy the Belters concentrated on the wealth of the asteroids. With fusion-drive ships they could have mined the planets; but their techniques were more universally applicable in free fall and among the falling mountains. Only Mercury was rich enough to attract the Belt miners...
"...there were Belters who would never go anywhere near a planet."
-Larry Niven, Tales Of Known Space (New York, 1975), p. 81.

"'Belters learn to avoid gravity wells. A man can get killed half a dozen ways coming too close to a hole.'"
-Larry Niven, "At The Bottom Of A Hole" IN Tales Of Known Space, pp. 82-99 AT p. 83.

We have come a long way through several American future history series.

Interplanetary Periods

OK. A brief summary of the interplanetary periods of most relevant future histories.

Heinlein
The Green Hills Of Earth.

Asimov
In I, Robot, robots in a space station and on Mercury and on an asteroid, then giant robotic Brains controlling the Terrestrial economy and ecology. (In Foundation's Friends, Poul Anderson adds a robot on Io.)

Blish
Cities In Flight: Jupiter V and Jupiter.
The Seedling Stars: Ganymede.
The Haertel Scholium: Mars.

Anderson
The Psychotechnic History: Mars, Venus, asteroids, Ganymede, interplanetary space, Jupiter.
The Technic History: Iapetus.
Flying Mountains: asteroids, Jupiter.

Niven
Exploration of Mercury, Venus, Mars and Pluto, then colonization of asteroids and the Moon.

Quite a list. 

Historical Interpretation

Tales Of The Flying Mountains, Prologue.

The Advisory Council of the spaceship Astra clarifies the need for selection and interpretation of historical facts. The examples given are reasonable. They could obviously be discussed further but here they are offered only as examples. "Mohammedanism" should be "Islam" but that is the kind of historical detail that is always with us. 

"'...man being what he is, moral judgments are inevitable. Was it right, was it desirable that Christianity take over Europe...?'" (p. 16)

Do we need to discuss whether this was right or desirable? It happened and we certainly need to understand why. One question in a future history takes us back into past history and, within the works of the Andersons, to the times when merfolk fled from an exorcism or when the last King of Ys converted to Christianity.

I have a Religion and Philosophy blog for such questions but fewer people read it.

Possible Reasons Why Christianity "Took Over"
monotheism, with an omnipresent deity
a universal morality
freedom from divisive dietary laws
a single blood sacrifice of a perfect victim, efficacious for all time
a divine incarnation
a death and resurrection
a triune deity
fulfilled prophecies (the historical element)
a Mother of God able to replace the Mother Goddess
angels and saints instead of gods and heroes
the Adversary as a rebel angel instead of an anti-God
canonization of saints replacing deification of emperors
the bishop of Rome becoming Pontifex Maximus (an already existing post)
scriptural and Classical scholarship
incorporation of Greek philosophical schools
monasticism as a retreat from a hostile secular world
the flexibility to shed some of these elements at the Reformation

Yes, Christianity is comprehensive, robust and still with us.

Is this a diversion? No. Poul Anderson's works incorporate every issue.

Narrators Who Address Us

I wanted to expand on what I had meant in the previous post about narrators who come across as writers of popular magazine articles. There are several examples in Narrators That Are In There. Two others are:

"Sure we had trouble building Space Station One - but the trouble was people."
-Robert Heinlein, "Delilah and the Space Rigger" IN Heinlein, The Green Hills Of Earth (London, 1967), pp. 7-19 AT p. 7.

"This is the story of Rhysling, the Blind Singer of the Spaceways - but not the official version.
"You sang his words in school..."
-Robert Heinlein, "The Green Hills of Earth" IN The Green Hills Of Earth, pp. 131-141 AT p. 131.

The text continues to address its readers as if we were living in that era when Space Station One had recently been built and Rhysling's songs were sung in schools. Heinlein gives the future a daily life more solidly than anyone else although Anderson also approaches this same effect in works like "How To Be Ethnic In One Easy Lesson" and "Lodestar."

Future histories affect each other - and Nicholas van Rijn and "blind Rhysling" both make it into Anderson's inter-universal inn, the Old Phoenix: an ultimate recognition of these two characters.

Future Historical Perspectives

(I have uprooted many weeds around the perimeter of our humble property. I am the unskilled labour. Others know what to plant where and when.)

We are still with the inexhaustible subject of future histories and there is more to be said than can be fitted into this lunch break. As ever on this blog, our focus is on Poul Anderson even if we first refer to the earlier Campbell future historians: Heinlein, Asimov and Blish.

Blish's Adolph Haertel discovers antigravity in Welcome To Mars and has invented the first faster-than-light interstellar drive in "Common Time." These are different achievements. See Gyrogavitics. The discoverer of antigrav and the inventor of FTL need not have been given the same name.

Heinlein's Future History, Volume I, The Man Who Sold The Moon, opens with Heinlein's Time Chart, a PREFACE by the author and an INTRODUCTION by John Campbell. None of these three texts, with the partial exception of the Time Chart, is a fictional introduction written as from a future historical perspective whereas Asimov has Encyclopedia Galactica and Blish has Acreff-Monales, The Milky Way: Five Cultural Portraits.

In Anderson's Tales Of The Flying Mountains, a committee, meeting in interludes between the stories, discusses how to teach history and explains to its newest member that teachers must select and interpret facts and raise children to become "'...intellectually trained and emotionally mature...'" (p. 17) adults who can debate interpretations of historical events "'...with pleasure and profit.'" (ibid.)

Early in the second story, "The Rogue," the narrator refers to himself and his readers as "We..." (p. 43) That single pronoun shows that this speaker/author is not the omniscient narrator of most fiction but a counterpart of the narrator in Heinlein's Future History, Volume II, The Green Hills Of Earth, who comes across as the writer of popular magazine articles published during the "Green Hills" period of the Future History.

In haste. Will expand as necessary later.

Saturday, 15 August 2026

Green Hills And Flying Mountains

Robert Heinlein's Future History, Volume II, The Green Hills Of Earth, is mainly about people living on the Moon although there is also information about Mars, Venus and life back on Earth. Interstellar travel does not begin until Volume IV.

Poul Anderson's Tales Of The Flying Mountains is a single-volume future history about people living on terraformed asteroids thanks to gyrogravitics, a technology not possessed by Heinlein's characters - who do gain control of gravity in one story set on Earth although this technology is not mentioned subsequently and later interstellar craft are spun to simulate gravity. A technology lost during the Interregnum of Volume III?

Interstellar travel has begun at the beginning of Tales Of The Flying Mountains. Indeed, it is the travellers themselves who review their asteroidal history for their own benefit and, of course, for ours.

There, if you want it, is a partial comparison between Heinlein's Future History and one of Anderson's eight future histories before I turn in for the night, looking forward to a morning of gardening. Good night.

Gyrogravitics

See The Rise and Fall of Gyro-Gravity by John G. Cramer.

It seems that Poul Anderson's gyrogravitics and James Blish's "spindizzy" arise out of the same set of observations and speculations about rotation, gravity and magnetism - and I cannot follow the technicalities. However, Blackett's predictions did not pan out and, even if they had done, they might have led to Anderson's control of gravity but there would have been no reason for them also to lead to Blish's faster-than-light drive. See Flying Mountains And Cities. Blish's They Shall Have Stars presents a keen sense of his characters experiencing conceptual and technological upheavals while anticipating consequent social transformations. However, Blish's prologue or prelude volume could be decoupled from the subsequent flying cities series and might instead presage something more like Anderson's terraformed asteroids. However, in any case, neither of these futures has come to be. Gravity remains uncontrolled.

Jupiter And Longevity

For the reason why James Blish's characters, unlike Poul Anderson's and Clifford Simak's, do not adapt human beings to live on Jupiter, see On Jupiter. And to reiterate:

"'We've sense enough - or humility enough, if you like that better - to know that we can't adapt men to a planet like Jupiter...'"
-James Blish, "Surface Tension" IN Blish, The Seedling Stars (London, 1972), pp. 107-180 AT p. 109.

However, in the stories in question, Anderson and Simak had still been thinking of Jupiter merely as a bigger planet with a solid surface whereas Blish was working with the updated idea of a "gas giant," a large planet with a turbulent atmosphere merely densening but never solidifying all the way down to the eventual planetary core.

Sf writers discuss the same questions but give different answers:

Heinlein's Howard Families breed for longevity; 

Blish's characters say that this is impossible but develop antiagathic drugs;

Anderson has antisenescence in the Technic History, anti-aging treatment in the Time Patrol and three different kinds of immortality in other works.