An author can address an issue either in an article or in a work of fiction. Articles discuss; fiction dramatizes. An author can also express a viewpoint either directly in nonfiction or indirectly in fiction. Both characters and readers hold viewpoints and discuss issues. Hence, blog comboxes.
The broadcast address heard by the first person narrator of "A Man To My Wounding" acknowledges that MAD is mad but also (literally) rationalizes violence. I try to avoid lengthy quotations but sometimes a text is so dense and compact that selection is difficult. The address includes the following proposition:
"'At the same time, force remains the ultima ratio.'" (p. 189)
Here is a dictionary definition:
"Ultima ratio" means the final argument or last resort, often implying the use of force when all other measures fail."
-Merriam-Webster.
It was the use of "ratio" that made me describe this address as a "rationalization." The passage continues:
"'It is no use to preach that killing is wrong, that human life is infinitely valuable, and so on. I'm afraid that in point of blunt, regrettable fact, human life has always been a rather cheap commodity. From a man defending his wife against a homicidal maniac, on to the most complex international problems, issues are bound to arise occasionally which cannot be resolved. If these issues are too important to ignore, men will then fight.
"'The need of the world today is, therefore, not to plan grandiose renunciations of violence.'" (ibid.)
Solutions
In Poul Anderson's "Kings Who Die," war is still waged but beyond Earth and Moon.
In his "License," crime is legalized.
In this story, political leaders are assassinated.
My point, however, is that the broadcast address, which fills more than a page, reads too much like an article and not enough like a fictional dialogue in which a character expresses his viewpoint. The narrator approves of what he hears, thus reinforcing the message. That message is reasonable but is this how to present it?
I remember a British children's TV series with a lot of sword fights. The theme song ended:
"For life and love and happiness are well worth fighting for.
"They're well worth fighting for!"
They are but this was a blatant rationalization of a series that was all about fighting and not about life, love or happiness!