Wednesday 19 December 2018

Referencing Stapledon Or Tolkien

Poul Anderson does not often refer to other authors in his fiction, certainly not by name. There is an understated reference to HG Wells, not by name, in There Will Be Time. Arthur Conan Doyle's most famous character is mentioned several times, and even appears once, but not Doyle himself. When Anderson says that "...we can only hope for another Stapledon...," (see here) this is in a work of non-fiction.

Two other sf authors do explicitly refer to Stapledon:

"The notion of modifying the human stock genetically to live on the planets as they were found, had been old with Olaf Stapledon; it had been touched upon by many later writers; it went back, in essence, as far as Proteus, and as deep into the human mind as the werewolf, the vampire, the fairy changeling, the transmigrated soul."
-James Blish, The Seedling Stars (London, 1972), Book One, 3, p. 50.

Blish covers a lot of territory, going way beyond his immediate theme of "pantropy," artificial adaptation of human beings to other planets. He mentions:

Stapledon;
later writers;
Proteus;
werewolves;
vampires;
changelings;
transmigration.

Which of these additional themes does Anderson address and in which works?

Early in the opening volume of her future history about psychic powers, Julian May summarizes the plot of Stapledon's Odd John when young Rogi, trying to understand his own ESP, reads that novel. That is one way to do it. May's Galactic Milieu and Anderson's Genesis are two successors of Stapledon's future history but one difference is that Genesis does not say so.

In SM Stirling's Emberverse alternative future history, some characters base themselves directly on Tolkien's Middle Earth, even speaking Elvish. Literature resembles one long series whether or not later texts explicitly acknowledge earlier ones.

3 comments:

David Birr said...

Paul:
One of the Lensman books — I think it's Galactic Patrol — has a moment when Kim Kinnison is thinking he'll need to sentence a female drug dealer to death, and reflects that considering how guilty and evil she is, he can't even say, as Abraham Merritt's character Dwayanu did in Dwellers in the Mirage: "Luka—turn your wheel so I need not slay this woman!" As I recall, Kinnison refers to Dwayanu as "immortal Merritt's Dwayanu," explicitly mentioning the author.

(A Boskonian tactic erases much of the woman's memory, leaving her mind that of an innocent teenager though she's physiologically twenty-or-thirty-something. Kinnison verifies this by mind-probe ... so he doesn't have to kill her.)

Sean M. Brooks said...

Kaor, Paul!

One of the clearest and most direct literary allusions to be found in Anderson's Technic civilization stories is in A KNIGHT OF GHOSTS AND SHADOWS, where we see Flandry alluding to Elizabeth Barrett Browning's poem "A Musical Instrument," and Aycharaych astonishing Flandry by quoting the relevant stanza from that poem. And the first part of A CIRCUS OF HELLS has Flandry alluding to Lewis Carroll's ALICE IN WONDERLAND books by mentioning the Red King's dream. And we see the Bible being quoted or alluded to quite often!

Btw, I will be going to Florida to visit my brother for two weeks, starting on the 20th. I doubt I will be commenting on this blog until at least the third or fourth of January.

Also, since this is Christmas time, I took care to reread Anderson's "The Season of Forgiveness," as has been my habit for many years.

Merry Christmas! Sean

paulshackley2017@gmail.com said...

Sean,
Happy Christmas,
Paul.