I am reminded that, in such a novel, the narrative focuses entirely on the characters and their interactions. The setting is contemporary, equally familiar to author and readers, therefore not needing elucidation. The author need not create a future society or an extra-terrestrial environment.
In this novel, the children isolated and concealed in the attic of a large house for an indefinite period have something in common with characters in an sf novel cut off from the rest of mankind by their enclosure in an interstellar spaceship. The way the children are treated borders on horror. People living or working on lower floors of the house might hear voices or other sounds and imagine ghosts. Indeed, the children's imaginations might run riot in the enormous, cluttered, cobwebbed attic.
Poul Anderson could easily have handled a novel on such a theme. Indeed, his contemporary novel, The Devil's Game, has just one fantastic - or maybe psychological? - premise and thereafter presents the interactions of a diverse group of characters.
So far, I think just that sf and mainstream are different, not that either is better.
3 comments:
Kaor, Paul!
Your comments here unexpectedly made FLOWERS IN THE ATTIC more interesting than I remembered it. And your remarks about how "contemporary"* novels are based on familiar settings their authors have little need of explaining clarifies one reason why I find most of them unsatisfactory: precisely that familiarity. I prefer stories with strange and unfamiliar backgrounds. Which is what we get in well done science fiction and fantasy. And, yes, FLOWERS is a grim story verging very close to horror.
Merry Christmas! Sean
*I make or made an exception for mysteries. These stories are generally set using contemporary settings. But their plots focuses on how to solve the problem of who perpetrated a crime, generally murder. Finding answers to questions regarding means, opportunity, motive, etc., were what made mysteries interesting to me.
Poul Anderson liked mysteries and tried his hand at writing some, both stories and novels. Including some science fiction/fantasy mysteries. Truthfully, I thought his SF & F better than his three mystery novels (the one liked best being MURDER IN BLACK LETTER).
"The setting is contemporary, equally familiar to author and readers, therefore not needing elucidation. The author need not create a future society or an extra-terrestrial environment."
A good deal of SF is something new intruding on society contemporary to the writer.
Eg: A radical new technology is invented & the effects of that in the next few years is explored.
An alien invasion of one sort or another is often put into the authors society.
Wells' "The War of the Worlds" being the obvious example.
In "Project Hail Mary" the 'astrophage' apparently shows up no more than a few years after the period that Andy Weir was writing the story. This means that any radically new technology is stuff using the astrophage. There are lots of references to contemporary things that would be hard to comprehend by anyone from decades ago who was reading it.
It's often interesting to imagine a story set roughly now being read by someone from decades or centuries ago and think about the difficulty of it being understood.
Kaor, Jim!
I basically agree. Well done SF shows us both familiarity, continuities from the past surviving into the present of that science fiction story. And technological innovations will have effects and consequences.
H.G. Wells was a pioneer in SF, but later writers handled the idea of alien invasion better, IMO. One example from Anderson's works being THE WAR OF TWO WORLDS, an obvious play on the title of Wells' THE WAR OF THE WORLDS. And I also enjoyed Larry Niven and Jerry Pournelle's FOOTFALL.
Yes, PROJECT HAIL MARY was set in a very familiar setting, roughly our here and now. I do think Weir could usefully study the works of Anderson and Stirling, to learn how to flesh out backgrounds and settings in a more "living" way.
Anderson wrote/pub. his three mystery novels in 1959/1960/1961, and I did find his evocation of the mores and customs of a now vanished California interesting. And I thought the same way of his early science fiction novel, BRAIN WAVE, beginning as it does in the US of the early 1950's.
Ad astra! Sean
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