This blog focuses on Poul Anderson and refers to other imaginative sf writers. It contends that:
Anderson succeeds but also surpasses HG Wells, Olaf Stapledon and Robert Heinlein;
Anderson's works should be filmed but only if it can be done very well;
James Blish should be read also;
SM Stirling is a worthy successor of Anderson, particularly in the sub-genre of alternative histories;
a series, such as several by Anderson, can become a single, sometimes more elaborate, story behind the stories (see here).
Edgar Rice Burroughs (ERB) is comparable in imagination although not in literary quality. He is a persistent presence in popular consciousness if only because of Tarzan and, to a lesser extent, John Carter, just as Lewis Carroll is persistently present because of Alice in Wonderland. (Narnia, if not as widely recognized, is certainly up there.)
We have found a single ERBian allusion in one of Anderson's works whereas Stirling's Lords Of Creation Trilogy is retro-sf explicitly inspired by ERB and other pulp writers.
There could be an anthology of stories set on Jupiter:
"Call Me Joe" by Poul Anderson
"Desertion" by Clifford Simak (from City)
"Bridge" by James Blish (from Cities In Flight)
"Skeleton Men of Jupiter" by ERB (from John Carter Of Mars)
James Blish could not understand why I would include the ERB story. For completeness, for nostalgia and for the absurdity of ERB's scientific explanation of human life on the Jovian surface.
ERB's Martian series is interestingly elaborate:
Volumes
I-III: narrated by Carter.
IV: Carter's son.
V: Carter's daughter.
VI: the second Earthman on Mars, Ulysses Paxton.
VII: a Martian warrior whose story is transmitted to Earth by Paxton on the Gridley Wave which is also used to communicate with Pelucidar which is at the Earth's Core and is visited by Tarzan!
X: a second Martian warrior whose story is transmitted as above.
VIII, IX and XI: narrated by Carter, featuring his granddaughter and trips to a Martian moon and Jupiter.
Also:
four novels and one novelette about Carson Napier who aims for Mars but crash-lands on Venus;
two novelettes about a soldier who travels to the extra-solar planet, Poloda, in the same way that Carter had travelled to Mars;
a future history trilogy in which a spaceship launched from Earth towards Carter's Mars is sabotaged and crash-lands on the Moon, causing a Lunar invasion of Earth;
information, in one Martian book, that there are also Mercurians.
But it all sounds better than it reads, I think.
(We are tired from a day-trip to York and you are lucky to receive this post which I mentally drafted on the return journey!)
8 comments:
Thanks for the compliment!
Poul has been a great influence on me, indeed.
Kaor, Paul!
I would still protest about omitting Jules Verne as an SFnal predecessor of Anderson.
However absurd his "science" was, I still liked ERB's Barsoom stories. And he was a good writer at least in the sense that he could tell gripping, page turning stories.
Besides Lewis' Narnia series, we should not forget Tolkien's Middle-earth legendarium. I believe the mark left by JRRT has been much deeper and far more widely spread than Lewis' work.
But those movies by Jackson????????? GGGGGGRRRRRRRRRRR!!!
Absolutely, what you said about Stirling! He very much has his own "voice," but I can tell how much Stirling admired Anderson and was affected by his works.
Ad astra! Sean
Sean,
I have said it before about Stirling being a worthy successor of Anderson. It is one of the themes of this blog.
You are right about Tolkien, of course. Far more widely known than Lewis' fiction.
Tolkien and Anderson were transforming Norse myths into modern fiction at the same time.
Paul.
Kaor, Paul!
I never quite got "into" Lewis' Narnian books, they felt too "young" for me. My loss!
Agree, what you said about Anderson and Tolkien, albeit the latter preferred his most of his fictions to be less directly "Norse" in appearances. But Tolkien did take his names for the dwarves directly from the sagas.
Ad astra! Sean
Both Tolkien and Anderson 'revised' Norse myth, to make it more palatable for modern audiences. The original Norse myths were strikingly grim and fatalistic -- even the Gods were doomed.
Kaor, Mr. Stirling!
I agree Norse paganism was grim and ultimately hopeless.
In Tolkien's Middle-earth legendarium that sense of fatalism was felt by the Elves. Immortal they might be, but only as Arda existed--and what their fate would beyond the end of Arda was known to Eru Iluvatar. The Elves were also doomed to fade away under the dominion of mortal Men. The wisest of the Elves left Middle-earth for Valinor in the Fourth Age.
Ad astra! Sean
Correction: I meant to write "...but only as long as Arda..."
Correction, "...what their fate would be beyond the end of Arda was known only by Eru Iluvatar."
Sean
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