Despite really being in control, Everard is vulnerable, and must fight for his life, when traveling alone. He also finds the era alien, maybe like any imperial envoy in a far flung province. A youth kills a bull on a painted ceiling:
"...and the Bull was the Sun and the Man." ("Brave To Be A King," p. 92)
That might remind us of solemn identifications in a later tradition but the figures identified are very different.
Guards bear strung bows. There is a large harem. Peasants sacrifice to a pre-Aryan Earth Mother. Mountains, visible beyond Cyrus' palace, are haunted not only by wolves, lions and boars but also by demons. At least, that is how they are seen now. Everard wants to return to the twentieth century.
3 comments:
Kaor, Paul!
Anderson's "Wildcat" also shows the "present" of that story colonizing the past, to when the dinosaurs still walked the Earth!
I've discussed elsewhere that Anderson erred mixing in some Mithraic elements into "Brave To Be A King." The religion known as Mithraism only came to exist in the Hellenistic era following Alexander the Great's conquest of the Persian Empire.
Ad astra! Sean
Sean: but Mithraism was built on pre-existing Iranian elements, with Zoroastrian overtones. It incorporated both the deity and many legends and stories about him.
Mitra is one of the deities mentioned in Mitannian texts from the Middle Bronze Age, and in the Vedas -- almost certainly he'd been a figure of worship since the formation of the proto-Indo-Iranian culture on the steppes east of the Urals a bit before 2000 BCE.
Kaor, Mr. Stirling! Then I have to sit corrected. Those bis about Mithras in "Brave To Be A King" were not so anachronistic, after all. Ad astra! Sean
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