Poul Anderson's Murder In Black Letter has retained Kintyre instead of Yamamura as viewpoint character as far as Chapter 12. That chapter refers to:
Kipling;
Gamow;
Russell;
Ley.
Which Russell? Is it Bertrand?
Earlier, when a medieval manuscript had been removed from his room, Kintyre imagined small demons flying out with it, then reminded himself that, in the twentieth century, we do not believe in demons. In Black Easter, James Blish made the point that, if demons do exist, then they continue to do so whether or not they are believed in. In fact (or, rather, in fiction!), a demon swallows a sceptic who denies its existence.
The other Yamamura novels hinted at the supernatural but did not confirm it. So far, this volume has not hinted. Kintyre's momentary imagining hardly counts.
Showing posts sorted by relevance for query Murder In Black Letter. Sort by date Show all posts
Showing posts sorted by relevance for query Murder In Black Letter. Sort by date Show all posts
Friday, 26 May 2017
A Couple Of Points In Murder In Black Letter
Poul Anderson's detective, Trygve Yamamura, was in the OSS, the WWII precursor of the CIA. Thus, like Manse Everard and James Bond, he was in the War although his series starts later.
In SM Stirling's Draka History, the OSS remains the OSS after that timeline's equivalent of WWII.
Surprisingly, Kintyre persuades Yamamura that it is OK to use a very crude form of sensory deprivation to interrogate a gunman whom they are detaining instead of handing over to the police. Thus, Kintyre and Yamamura are guilty of at least two serious offences.
Murder In Black Letter is not grabbing me. I am not really following the murder investigation and am commenting only on tangential issues. However, any text written by Poul Anderson displays points of interest. I will read the novel to the end although I might be doing other things in the meantime.
A busy British Bank Holiday weekend stretches ahead of us with the possibility of more terrorism at a major event. We are also in the midst of a General Election. Thus, we are able to choose electorally between two alternative policies on terrorism. Everyone in Britain needs to think very hard.
In SM Stirling's Draka History, the OSS remains the OSS after that timeline's equivalent of WWII.
Surprisingly, Kintyre persuades Yamamura that it is OK to use a very crude form of sensory deprivation to interrogate a gunman whom they are detaining instead of handing over to the police. Thus, Kintyre and Yamamura are guilty of at least two serious offences.
Murder In Black Letter is not grabbing me. I am not really following the murder investigation and am commenting only on tangential issues. However, any text written by Poul Anderson displays points of interest. I will read the novel to the end although I might be doing other things in the meantime.
A busy British Bank Holiday weekend stretches ahead of us with the possibility of more terrorism at a major event. We are also in the midst of a General Election. Thus, we are able to choose electorally between two alternative policies on terrorism. Everyone in Britain needs to think very hard.
Sunday, 22 September 2019
Murder In Black Letter, Chapter 18
Murder In Black Letter, 18.
you can try that on the switchboard girl for recognitionor. Does the phone office keep records of such things?
Should this passage read:
"'...you can try that on the switchboard girl for recognition or does the phone office keep records of such things?'"?
"This time he had two metal legs and he paid.
Metal legs?
This is that chapter in a detective novel where past events are summarized and explained and it is recognized that incidental incidents were in fact clues, e.g.:
when I told him Margery's place had already been raided, it was a shock
Yes, that character did respond with surprise or shock at that point in the conversation in a previous chapter. That obviously meant something although I had no idea what.
This chapter ends as follows, with Yamamura's pov:
Kintyre and Yamamura speak by phone;
Kintyre breaks off in mid-sentence;
his voice trails off;
his receiver crashes down;
he rings back to say that he has just rung someone who should have been home but there was no answer....
Another moment of realization and another possible murder...
I am summarizing the structure rather than the content of a detective novel.
you can try that on the switchboard girl for recognitionor. Does the phone office keep records of such things?
Should this passage read:
"'...you can try that on the switchboard girl for recognition or does the phone office keep records of such things?'"?
"This time he had two metal legs and he paid.
Metal legs?
This is that chapter in a detective novel where past events are summarized and explained and it is recognized that incidental incidents were in fact clues, e.g.:
when I told him Margery's place had already been raided, it was a shock
Yes, that character did respond with surprise or shock at that point in the conversation in a previous chapter. That obviously meant something although I had no idea what.
This chapter ends as follows, with Yamamura's pov:
Kintyre and Yamamura speak by phone;
Kintyre breaks off in mid-sentence;
his voice trails off;
his receiver crashes down;
he rings back to say that he has just rung someone who should have been home but there was no answer....
Another moment of realization and another possible murder...
I am summarizing the structure rather than the content of a detective novel.
Monday, 23 September 2019
Murder In Black Letter, Chapter 20
Murder In Black Letter, 20.
This concluding chapter is an extended action sequence which for me is an anticlimax. Kintyre goes to where the villain might be and sees a parked car which is unlocked. As in Anderson's Murder Bound, the owner's name is in registration information on the steering column. Thus, Kintyre confirms that the villain is nearby and also is able to sabotage his car. The rest is a fight on a dark beach. There is one further Machiavelli quotation but this one is from his private correspondence. Anderson's following volume, Murder Bound, does not tell us what becomes of Kintyre and Corrine.
We artificially differentiate the contemporary from the cosmic although, of course, the former is merely a minute part of the latter. Inhabitants of extra-solar planets must also have their domestic affairs. We will maybe follow up these posts on the Trygve Yamamura novels by quoting some descriptions of contemporary scenes in Anderson's sf and fantasy novels where the author makes the cosmic setting explicit.
This concluding chapter is an extended action sequence which for me is an anticlimax. Kintyre goes to where the villain might be and sees a parked car which is unlocked. As in Anderson's Murder Bound, the owner's name is in registration information on the steering column. Thus, Kintyre confirms that the villain is nearby and also is able to sabotage his car. The rest is a fight on a dark beach. There is one further Machiavelli quotation but this one is from his private correspondence. Anderson's following volume, Murder Bound, does not tell us what becomes of Kintyre and Corrine.
We artificially differentiate the contemporary from the cosmic although, of course, the former is merely a minute part of the latter. Inhabitants of extra-solar planets must also have their domestic affairs. We will maybe follow up these posts on the Trygve Yamamura novels by quoting some descriptions of contemporary scenes in Anderson's sf and fantasy novels where the author makes the cosmic setting explicit.
Thursday, 18 May 2017
A Second Song In The Same Bar
Poul Anderson, Murder In Black Letter, Chapter 6.
For the post on the first song, see here.
Poul Anderson quotes four lines of an Italian song, then attributes it to Lorenzo the Magnificent. Googling reveals this to be Lorenzo de Medici. Google also gives information, in Italian, about the song which begins:
"Quant' e bella giovinessa..."
- and I also found an English translation. See here.
"What beauty lies in youth..."
Thus, read detective fiction by Poul Anderson and learn some history.
Blog readers might notice that I post about whatever interests me even if it is not the main point of a text. I am not summarizing the plot of the murder mystery so far. I might or might not do that later. Here, I read back through three texts set on the fictional planet, Avalon, in order to summarize background information about the planet, the sort of information that we usually skip past to get to the action. As yet, I am three pages into Chapter 6 of Murder In Black Letter but this pace suits me fine. Reading, rereading and discussing Poul Anderson is a life-long project and I rarely know what the next post will be about.
For the post on the first song, see here.
Poul Anderson quotes four lines of an Italian song, then attributes it to Lorenzo the Magnificent. Googling reveals this to be Lorenzo de Medici. Google also gives information, in Italian, about the song which begins:
"Quant' e bella giovinessa..."
- and I also found an English translation. See here.
"What beauty lies in youth..."
Thus, read detective fiction by Poul Anderson and learn some history.
Blog readers might notice that I post about whatever interests me even if it is not the main point of a text. I am not summarizing the plot of the murder mystery so far. I might or might not do that later. Here, I read back through three texts set on the fictional planet, Avalon, in order to summarize background information about the planet, the sort of information that we usually skip past to get to the action. As yet, I am three pages into Chapter 6 of Murder In Black Letter but this pace suits me fine. Reading, rereading and discussing Poul Anderson is a life-long project and I rarely know what the next post will be about.
Monday, 29 June 2015
Sensory Deprivation, by Sean M. Brooks
This essay discusses how Poul Anderson used "sensory deprivation" as the means used by some of his characters in WE CLAIM THESE STARS and MURDER IN BLACK LETTER to obtain information. I also want to examine the question of whether sensory deprivation can be used as a legitimate intelligence method or has to be rejected as torture, and thus unethical to use.
I also wish to stress the need to not assume that the ideas, beliefs, or actions of an author's fictional characters are what that author himself believes or that he approves of all that his characters do. Sometimes, of course, he does--and at other times does not.
The first quote from the works of Poul Anderson showing how sensory deprivation was used to obtain information is from Chapter X of WE CLAIM THESE STARS, one of the stories he wrote for his Technic Civilization series, in the time of the Terran Empire, more than a thousand years in the future. Captain Sir Dominic Flandry, an officer in Terra's Imperial Naval Intelligence Corps, had, with guerilla assistance, captured Clanmaster Temulak, commander of the alien garrison occupying the human town of Garth, on the planet Vixen. Temulak was an officer belonging to a race called the Ardazirho which had invaded and seized Vixen, a planet colonized by humans belonging to the Empire. The Ardazirho captive was unwilling to answer questions, so Flandry took recourse to measures designed to break that resistance, using sensory deprivation. To quote from Chapter X:
In 1979, when I first read Poul Anderson's mystery MURDER IN BLACK LETTER (Macmillan: 1960), I was surprised to come across this text on page 133: "They're just now beginning to study the mental effects of eliminating sensory stimuli," said Kintyre. "The mind goes out of whack amazingly fast. My friend Levinson, in the physiology department, was telling me about some recent experiments. Volunteers, intelligent self-controlled people who knew what it's all about and knew they could quit any time they wanted--none of which applies to O'Hearn--didn't last long. Hallucinations set in." Plainly, it was in the middle or late 1950's that Anderson first came across the idea of using sensory deprivation as a means of obtaining information from subjects unwilling to truthfully answer questions.
Here we see characters from two of Poul Anderson's novels using sensory deprivation to force prisoners they knew had valuable information to answer questions truthfully. The issue to be examined is whether what Flandry and Kintyre did was torture and hence unethical or whether it was morally licit. One reason why torture as such is not used by responsible intelligence officers is because of how unreliable it can be. To again quote from one of Anderson's novels, about eight years later in the Technic History, in Chapter V of A KNIGHT OF GHOSTS AND SHADOWS, he has Flandry saying: "Let me explain from the ground up. Interrogation is an unavoidable part of police and military work. You can do it on several levels of intensity. First, simple questioning; if possible, questioning different subjects separately and comparing their stories. Next, browbeating of assorted kinds. Then torture, which can be the crude inflicting of pain or something like prolonged sleep deprivation. The trouble with these methods is, they aren't too dependable. The subject may hold out. He may lie. If he's had psychosomatic training, he can fool a lie detector; or, if he's clever, he can tell only a misleading part of the truth. At best, procedures are slow, especially when you have to crosscheck whatever you get against whatever other information you can find." We see torture, defined as either the crude inflicting of pain or prolonged sleep deprivation, dismissed as slow and unreliable.
For a look at how torture should be regarded ethically, I will quote what the CATECHISM OF THE CATHOLIC CHURCH (Image Books, 1995), an official and authoritative summarizing of Catholic doctrinal and moral teaching, says about it in Nos. 2297-2298: "2297 ....*Torture* which uses physical or moral violence to extract confessions, punish the guilty, frighten opponents, or satisfy hatred is contrary for respect for the person and for human dignity. Except when performed for strictly therapeutic, medical reasons, directly intended *amputations, mutilations, *and *sterilizations *performed on innocent persons are against the moral law." And 2298 says: "In times past, cruel practices were commonly used by legitimate governments to maintain law and order, often without protest from the Pastors of the Church, who themselves adopted in their own tribunals the prescriptions of Roman law concerning torture. Regrettable as these facts are, the Church always taught the duty of clemency and mercy. She forbade clerics to shed blood. In recent times it has become evident that these cruel practices were neither necessary for public order, nor in conformity with the legitimate rights of the human person. On the contrary, these practices led to ones even more degrading. It is necessary to work for their abolition. We must pray for the victims and their tormentors."
Given all that has been previously written, the question to be answered is whether or not the use of sensory deprivation is or is not torture. If it is not torture, or not always thus, its use as a means of extracting information from those unwilling to answer questions truthfully is ethically permissible. Those who would defend the use of sensory deprivation will point out that Temulak was not tortured in the senses given above: pain was not inflicted on him nor was he even deprived of, or prevented from sleeping. All that happened to him was being made temporarily unable to see, hear, smell, or move. And this was done only as long as it took for persuading Temulak to cooperate in being interrogated. However, those who would argue against the use of sensory deprivation as a means of obtaining information would say that having one's senses deprived of outside stimuli is torture because prolonged lack of stimulation for the senses becomes unendurable. I believe both sides would agree that to deliberately prolong sensory deprivation beyond the point of inducing the subject to cooperate in being interrogated does becomes torture, and thus immoral to use.
What conclusions can be reached to resolve this question? Sensory deprivation, when strictly limited and used solely for persuading persons being interrogated to cooperate in being questioned, can be legitimately used. Two preconditions are necessary: first, the cause or reason for using sensory deprivation on an unwilling person must be so strong that this unwillingness can be rightfully overruled. Second, interrogators must also be convinced beyond a reasonable doubt that the person they are trying to question DOES have information they need to discover (because to use sensory deprivation on a prisoner reasonably likely not to know the information being sought is indisputably torture). For example, a private will know far less information of military value than a colonel or general. That was certainly the case with Clanmaster Temulak, the captured enemy officer we see in WE CLAIM THESE STARS. Recall, Temulak was captured by Flandry and his guerrilla assistants on a planet seized and occupied by enemies, in circumstances where discovery and seizure by those enemies was a very high possibility. Flandry did not have the TIME or means for lengthy, weeks long interrogation of an unwilling prisoner.
I am, of course, open to being corrected in my view that sensory deprivation can be a legitimate interrogation method by REASONED and logical arguments. I would also be interested in finding out what professional, law abiding, and ethical interrogators and intelligence officers think of this question. I have tried to find out how sensory deprivation was used in actual cases. However, I have found none where this method was described as used with the care ordered by Flandry for the treatment of Temulak. Merely emotional or ad hominem arguments for or against sensory deprivation are rejected out of hand.
During the Troubles in Northern Ireland in the 1960's and 1970's, British security forces came to use five "sensory deprivation" methods which eventually caused the Republic of Ireland to sue the United Kingdom in the European Court of Human Rights for alleged torture of terrorists or guerrillas (see European Court of Human Rights, "Ireland v. the United Kingdom," January 18, 1978). The disputed methods were: wall standing, hooding, subjection to noise, deprivation of sleep, and deprivation of food and drink. In the final judgment handed down by the European Court in the above mentioned case, it examined the United Nations definition of torture and ruled that these five methods did not meet the intensity of pain and suffering laid down by that definition. However, the Court ruled these methods amounted to "inhuman and degrading treatment," violating Article 3 of the European Convention on Human Rights (another treaty binding on signatory nations).
Except for the hooding of Temulak, none of this applies to the case we see in WE CLAIM THESE STARS. The prisoner was not subjected to wall standing, loud noises, depriving of sleep, or depriving of nourishment. So, I am not satisfied the British case gives us a clear example in actual history of the use of sensory deprivation as seen in WE CLAIM THESE STARS. Nor have I found any US cases using "sensory deprivation" as seen in those of Poul Anderson's works I have quoted in this article. Rather, the cases I read of were roughly similar, in some of the methods used, to those seen in the British case.
And, speaking personally, I have wondered what it might be like to experience sensory deprivation. I have actually thought of being tied down, having my ears plugged, eyes blindfolded, etc., for one hour. What would it be like to endure sensory deprivation for even so short a time? I know there are persons who have found the limited use of sensory deprivation to be restful or useful.
I also wish to stress the need to not assume that the ideas, beliefs, or actions of an author's fictional characters are what that author himself believes or that he approves of all that his characters do. Sometimes, of course, he does--and at other times does not.
The first quote from the works of Poul Anderson showing how sensory deprivation was used to obtain information is from Chapter X of WE CLAIM THESE STARS, one of the stories he wrote for his Technic Civilization series, in the time of the Terran Empire, more than a thousand years in the future. Captain Sir Dominic Flandry, an officer in Terra's Imperial Naval Intelligence Corps, had, with guerilla assistance, captured Clanmaster Temulak, commander of the alien garrison occupying the human town of Garth, on the planet Vixen. Temulak was an officer belonging to a race called the Ardazirho which had invaded and seized Vixen, a planet colonized by humans belonging to the Empire. The Ardazirho captive was unwilling to answer questions, so Flandry took recourse to measures designed to break that resistance, using sensory deprivation. To quote from Chapter X:
He nodded to Dr. Reineke. The physician wheeled forth the equipment he had abstracted from Garth General Hospital at Flandry's request. A blindfolding hood went over Temulak's eyes, sound deadening wax filled his ears and plugged his nose, a machine supplied him with intravenous nourishment and another removed body wastes, they left him immobile and, except for the soft constant pressure of bonds and bed, sealed into a darkness like death. No sense impressions could reach him from outside. It was painless, it did no permanent harm, but the mind is not intended for such isolation. When there is nothing by which it may orient itself, it rapidly loses all knowledge of time; an hour seems like a day, and later like a week or a year. Space and material reality vanish. Hallucinations come, and the will begins to crumble. Most particularly is this true when the victim is among enemies, tensed to feel the whip or knife which his own ferocious culture would surely use.Clanmaster Temulak, a moderately high ranking Ardazirho officer, would be CERTAIN to have information which would be extremely useful for the Terrans to know. The story goes on to say Temulak finally cracked after "Three of Vixen's 22 hour rotation periods went by, and part of a fourth, before the message came that Temulak had broken" (WE CLAIM THESE STARS, Chapter XI).
In 1979, when I first read Poul Anderson's mystery MURDER IN BLACK LETTER (Macmillan: 1960), I was surprised to come across this text on page 133: "They're just now beginning to study the mental effects of eliminating sensory stimuli," said Kintyre. "The mind goes out of whack amazingly fast. My friend Levinson, in the physiology department, was telling me about some recent experiments. Volunteers, intelligent self-controlled people who knew what it's all about and knew they could quit any time they wanted--none of which applies to O'Hearn--didn't last long. Hallucinations set in." Plainly, it was in the middle or late 1950's that Anderson first came across the idea of using sensory deprivation as a means of obtaining information from subjects unwilling to truthfully answer questions.
Here we see characters from two of Poul Anderson's novels using sensory deprivation to force prisoners they knew had valuable information to answer questions truthfully. The issue to be examined is whether what Flandry and Kintyre did was torture and hence unethical or whether it was morally licit. One reason why torture as such is not used by responsible intelligence officers is because of how unreliable it can be. To again quote from one of Anderson's novels, about eight years later in the Technic History, in Chapter V of A KNIGHT OF GHOSTS AND SHADOWS, he has Flandry saying: "Let me explain from the ground up. Interrogation is an unavoidable part of police and military work. You can do it on several levels of intensity. First, simple questioning; if possible, questioning different subjects separately and comparing their stories. Next, browbeating of assorted kinds. Then torture, which can be the crude inflicting of pain or something like prolonged sleep deprivation. The trouble with these methods is, they aren't too dependable. The subject may hold out. He may lie. If he's had psychosomatic training, he can fool a lie detector; or, if he's clever, he can tell only a misleading part of the truth. At best, procedures are slow, especially when you have to crosscheck whatever you get against whatever other information you can find." We see torture, defined as either the crude inflicting of pain or prolonged sleep deprivation, dismissed as slow and unreliable.
For a look at how torture should be regarded ethically, I will quote what the CATECHISM OF THE CATHOLIC CHURCH (Image Books, 1995), an official and authoritative summarizing of Catholic doctrinal and moral teaching, says about it in Nos. 2297-2298: "2297 ....*Torture* which uses physical or moral violence to extract confessions, punish the guilty, frighten opponents, or satisfy hatred is contrary for respect for the person and for human dignity. Except when performed for strictly therapeutic, medical reasons, directly intended *amputations, mutilations, *and *sterilizations *performed on innocent persons are against the moral law." And 2298 says: "In times past, cruel practices were commonly used by legitimate governments to maintain law and order, often without protest from the Pastors of the Church, who themselves adopted in their own tribunals the prescriptions of Roman law concerning torture. Regrettable as these facts are, the Church always taught the duty of clemency and mercy. She forbade clerics to shed blood. In recent times it has become evident that these cruel practices were neither necessary for public order, nor in conformity with the legitimate rights of the human person. On the contrary, these practices led to ones even more degrading. It is necessary to work for their abolition. We must pray for the victims and their tormentors."
Given all that has been previously written, the question to be answered is whether or not the use of sensory deprivation is or is not torture. If it is not torture, or not always thus, its use as a means of extracting information from those unwilling to answer questions truthfully is ethically permissible. Those who would defend the use of sensory deprivation will point out that Temulak was not tortured in the senses given above: pain was not inflicted on him nor was he even deprived of, or prevented from sleeping. All that happened to him was being made temporarily unable to see, hear, smell, or move. And this was done only as long as it took for persuading Temulak to cooperate in being interrogated. However, those who would argue against the use of sensory deprivation as a means of obtaining information would say that having one's senses deprived of outside stimuli is torture because prolonged lack of stimulation for the senses becomes unendurable. I believe both sides would agree that to deliberately prolong sensory deprivation beyond the point of inducing the subject to cooperate in being interrogated does becomes torture, and thus immoral to use.
What conclusions can be reached to resolve this question? Sensory deprivation, when strictly limited and used solely for persuading persons being interrogated to cooperate in being questioned, can be legitimately used. Two preconditions are necessary: first, the cause or reason for using sensory deprivation on an unwilling person must be so strong that this unwillingness can be rightfully overruled. Second, interrogators must also be convinced beyond a reasonable doubt that the person they are trying to question DOES have information they need to discover (because to use sensory deprivation on a prisoner reasonably likely not to know the information being sought is indisputably torture). For example, a private will know far less information of military value than a colonel or general. That was certainly the case with Clanmaster Temulak, the captured enemy officer we see in WE CLAIM THESE STARS. Recall, Temulak was captured by Flandry and his guerrilla assistants on a planet seized and occupied by enemies, in circumstances where discovery and seizure by those enemies was a very high possibility. Flandry did not have the TIME or means for lengthy, weeks long interrogation of an unwilling prisoner.
I am, of course, open to being corrected in my view that sensory deprivation can be a legitimate interrogation method by REASONED and logical arguments. I would also be interested in finding out what professional, law abiding, and ethical interrogators and intelligence officers think of this question. I have tried to find out how sensory deprivation was used in actual cases. However, I have found none where this method was described as used with the care ordered by Flandry for the treatment of Temulak. Merely emotional or ad hominem arguments for or against sensory deprivation are rejected out of hand.
During the Troubles in Northern Ireland in the 1960's and 1970's, British security forces came to use five "sensory deprivation" methods which eventually caused the Republic of Ireland to sue the United Kingdom in the European Court of Human Rights for alleged torture of terrorists or guerrillas (see European Court of Human Rights, "Ireland v. the United Kingdom," January 18, 1978). The disputed methods were: wall standing, hooding, subjection to noise, deprivation of sleep, and deprivation of food and drink. In the final judgment handed down by the European Court in the above mentioned case, it examined the United Nations definition of torture and ruled that these five methods did not meet the intensity of pain and suffering laid down by that definition. However, the Court ruled these methods amounted to "inhuman and degrading treatment," violating Article 3 of the European Convention on Human Rights (another treaty binding on signatory nations).
Except for the hooding of Temulak, none of this applies to the case we see in WE CLAIM THESE STARS. The prisoner was not subjected to wall standing, loud noises, depriving of sleep, or depriving of nourishment. So, I am not satisfied the British case gives us a clear example in actual history of the use of sensory deprivation as seen in WE CLAIM THESE STARS. Nor have I found any US cases using "sensory deprivation" as seen in those of Poul Anderson's works I have quoted in this article. Rather, the cases I read of were roughly similar, in some of the methods used, to those seen in the British case.
And, speaking personally, I have wondered what it might be like to experience sensory deprivation. I have actually thought of being tied down, having my ears plugged, eyes blindfolded, etc., for one hour. What would it be like to endure sensory deprivation for even so short a time? I know there are persons who have found the limited use of sensory deprivation to be restful or useful.
Sunday, 22 September 2019
Murder In Black Letter, Chapter 19
Murder In Black Letter, 19.
"Games theory," murmured the telephone. "You plan your strategy on the basis of the strategy your opponent would plan on the basis of the information you believe him to have.
Games theory is a link to some of Poul Anderson's futuristic sf. See here. Although this is rarely even mentioned in contemporary fiction, some sort of future history lies ahead of Yamamura's period and it could be one of the futures described in another work or series by Anderson.
There is another quote from Machiavelli:
"'One must therefore be a fox to recognize traps, and a lion to frighten wolves,'" recited Kintyre in Machiavelli's Italian. "'Those that wish to be only lions do not understand this.'"
- and I skipped past one about women in an intervening chapter. We have now reached the end of the penultimate chapter of this novel. It remains for the hero to rescue the heroine and apprehend the villain.
"Games theory," murmured the telephone. "You plan your strategy on the basis of the strategy your opponent would plan on the basis of the information you believe him to have.
Games theory is a link to some of Poul Anderson's futuristic sf. See here. Although this is rarely even mentioned in contemporary fiction, some sort of future history lies ahead of Yamamura's period and it could be one of the futures described in another work or series by Anderson.
There is another quote from Machiavelli:
"'One must therefore be a fox to recognize traps, and a lion to frighten wolves,'" recited Kintyre in Machiavelli's Italian. "'Those that wish to be only lions do not understand this.'"
- and I skipped past one about women in an intervening chapter. We have now reached the end of the penultimate chapter of this novel. It remains for the hero to rescue the heroine and apprehend the villain.
Monday, 16 September 2019
Terminology In Murder In Black Letter
Murder In Black Letter by Poul Anderson.
incunabula (3)
La Vecchia religione (3)
a propos des bottes (3)
De mortuis nil nisi bonum (2)
claque (2)
calabash pipe (2)
why-buy-a-cow (2)
jerkwater (2)
dojo (1)
epee (1)
Some terminology is completely unfamiliar. All is interesting to google. There are twenty chapters. The list will grow.
incunabula (3)
La Vecchia religione (3)
a propos des bottes (3)
De mortuis nil nisi bonum (2)
claque (2)
calabash pipe (2)
why-buy-a-cow (2)
jerkwater (2)
dojo (1)
epee (1)
Some terminology is completely unfamiliar. All is interesting to google. There are twenty chapters. The list will grow.
Tuesday, 10 September 2019
E Book
This time, blog readers can, if they want, read Poul Anderson's Murder In Black Letter here while I reread and post about it here. It is a different experience, reading on screen. This is the second of Anderson's three Trygve Yamamura detective novels, following Perish By The Sword. The interest in swords continues because the novel opens with Yamamura and his friend, Robert Kintyre, fencing and they mention Japanese Samurai swords which we know that Yamamura collects.
A policeman informs them that a young acquaintance of Kintyre has been murdered and the point of view stays with Kintyre, not with the detective. And that is as far as I have got.
To my surprise, when googling for relevant images, I found that Murder In Black Letter has been published with several variant covers. I remember the novel, from one previous reading, as a combination of interesting background information and, to me, uninteresting chase scenes. However, every other novel by Anderson reveals interesting content on further readings and I do not expect this one to be any exception.
A policeman informs them that a young acquaintance of Kintyre has been murdered and the point of view stays with Kintyre, not with the detective. And that is as far as I have got.
To my surprise, when googling for relevant images, I found that Murder In Black Letter has been published with several variant covers. I remember the novel, from one previous reading, as a combination of interesting background information and, to me, uninteresting chase scenes. However, every other novel by Anderson reveals interesting content on further readings and I do not expect this one to be any exception.
Thursday, 18 May 2017
Reading Murder In Black Letter
I have read Poul Anderson's Murder In Black Letter as far as the beginning of Chapter 6 and so far the point of view character has remained Trygve Yamamura's friend, Robert Kintyre, not Yamamura himself, who has remained off-stage since the opening conversation between him and Kintyre. OK. No hurry. Not being a big fan of detective fiction, I will continue to read the novel but without any great involvement in its plot.
For me, the big three fictional detectives are Sherlock Holmes, Inspector Montalbano and Trygve Yamamura. Yamamura is of interest because he is written by Poul Anderson. Also, of course, Anderson managed to give this character an interesting background and a colourful setting. I will not solve the mystery before we are told the solution. How many readers of detective fiction are able to do this?
How many interesting series characters did Anderson write? How many interesting central characters of single novels did he write? Quite a lot.
For me, the big three fictional detectives are Sherlock Holmes, Inspector Montalbano and Trygve Yamamura. Yamamura is of interest because he is written by Poul Anderson. Also, of course, Anderson managed to give this character an interesting background and a colourful setting. I will not solve the mystery before we are told the solution. How many readers of detective fiction are able to do this?
How many interesting series characters did Anderson write? How many interesting central characters of single novels did he write? Quite a lot.
Saturday, 27 May 2017
Post-War Crime
"He came to Italy as a Quartermaster officer in the war. Perfect chance for black marketing, if a man didn't mind taking a few risks. The miracle is not that a few QM people went bad but that most stayed honest...by the end of the war he was in touch with some pretty big figures in the Italian underworld, and saw the opportunities. He came right back after his discharge and went to work at it full-time... He got in on the postwar reconstruction of crime, along lines borrowed from gangland and Communism."
-Poul Anderson, Murder In Black Letter, Chapter 16.
It makes sense:
in the chaos of war and post-war reconstruction, there would be opportunities for black-marketeering and other criminality;
when legitimate society reconstructed itself, so did the Mafia;
there were opportunities for people in the US Army;
Communists had had to adopt a secretive "cell" organizational form that was adaptable to criminal activities.
Thus, in novels of the fifties and sixties, the War was more than a recent event. It and its aftermath provided motives for the characters. Some of James Bond's villains are WWII left-overs. In the recent UNCLE film, Napoleon Solo:
was in the US Army in Europe;
smuggled art works;
had to choose between prison and joining the new CIA;
worked with Waverley of British Naval Intelligence and Kuryakin of the KGB against a new common threat;
thus became part of a new team, UNCLE.
Pretty smart stuff.
-Poul Anderson, Murder In Black Letter, Chapter 16.
It makes sense:
in the chaos of war and post-war reconstruction, there would be opportunities for black-marketeering and other criminality;
when legitimate society reconstructed itself, so did the Mafia;
there were opportunities for people in the US Army;
Communists had had to adopt a secretive "cell" organizational form that was adaptable to criminal activities.
Thus, in novels of the fifties and sixties, the War was more than a recent event. It and its aftermath provided motives for the characters. Some of James Bond's villains are WWII left-overs. In the recent UNCLE film, Napoleon Solo:
was in the US Army in Europe;
smuggled art works;
had to choose between prison and joining the new CIA;
worked with Waverley of British Naval Intelligence and Kuryakin of the KGB against a new common threat;
thus became part of a new team, UNCLE.
Pretty smart stuff.
Tuesday, 15 October 2013
Murder And Psychodynamics
The latest news from here is that Poul Anderson's Murder In Black Letter is available from Amazon for £144.00 - more than I am willing to spend on a single book. I need someone to give me a grant to research Poul Anderson! (But I am not asking readers of this blog to contribute!)
Meanwhile, however, Anderson's Psychotechnic Future History remains eminently worthy of discussion. Baen Books left a big hole in the History when they did not include "The Snows of Ganymede" in their 1980's uniform edition of the series. In "Snows," Planetary Engineers travel to the outer Solar System to study the feasibility of terraforming Ganymede and Callisto. In "Brake," set fifty years later, an Engineer travels to the outer System with machines to terraform Europa.
These two stories could be collected as a single volume to be called The Order Of Planetary Engineers. References in "Brake" to the Engineers' castle on the rim of Archimedes Crater and to the curiously named University of X on Ganymede make some sense after reading "Snows."
In "Brake," Anderson, wanting to inform his readers that Terrestrial society is rapidly descending towards the Second Dark Ages, makes Captain Banning refer, first, to the conflict between Oriental Kali worshipers and Occidental protechnological Puritans and, secondly, to three complicating factors:
Kali worshipers are only one branch of the Ramakrishian Eclectics;
many Asians support Technic civilization just as some Americans worship Kali;
there are also Husseinite Moslems and a New Christendom.
This all sounds a bit ad hoc and in fact there are no stories set on Earth in this period so we do not see the Kalists, Technics etc in conflict. They are referred to only here. But the point is made that Earth is in very bad shape.
Before the two Planetary Engineers stories, "Holmgang," "Cold Victory" and "What Shall It Profit?" could be collected as The Humanist Revolution: before and after. That would leave six other pre-FTL stories as maybe something like After World War III?
Meanwhile, however, Anderson's Psychotechnic Future History remains eminently worthy of discussion. Baen Books left a big hole in the History when they did not include "The Snows of Ganymede" in their 1980's uniform edition of the series. In "Snows," Planetary Engineers travel to the outer Solar System to study the feasibility of terraforming Ganymede and Callisto. In "Brake," set fifty years later, an Engineer travels to the outer System with machines to terraform Europa.
These two stories could be collected as a single volume to be called The Order Of Planetary Engineers. References in "Brake" to the Engineers' castle on the rim of Archimedes Crater and to the curiously named University of X on Ganymede make some sense after reading "Snows."
In "Brake," Anderson, wanting to inform his readers that Terrestrial society is rapidly descending towards the Second Dark Ages, makes Captain Banning refer, first, to the conflict between Oriental Kali worshipers and Occidental protechnological Puritans and, secondly, to three complicating factors:
Kali worshipers are only one branch of the Ramakrishian Eclectics;
many Asians support Technic civilization just as some Americans worship Kali;
there are also Husseinite Moslems and a New Christendom.
This all sounds a bit ad hoc and in fact there are no stories set on Earth in this period so we do not see the Kalists, Technics etc in conflict. They are referred to only here. But the point is made that Earth is in very bad shape.
Before the two Planetary Engineers stories, "Holmgang," "Cold Victory" and "What Shall It Profit?" could be collected as The Humanist Revolution: before and after. That would leave six other pre-FTL stories as maybe something like After World War III?
Tuesday, 29 January 2019
Perish by the Sword: A Review by Nygel G. Harrot
The pen is mightier than the sword… Or is it?
Does Poul pull off a murder mystery as well as dear old Agatha or is the sword in the title really just a blunt knife?
Now, I must admit that this is the first Poul Anderson book that I have in fact read. I have not yet traveled the depths of time with him via the Time Patrol series.
As a follower of good mysteries containing bodies on vicars’ hearth rugs I thought I would try this well known author from the 50s onwards, despite a word from Mr. Paul Shackley that, for him, this was not one of his favorite Poul books. (The sword stays firmly in the time period that it is set in and does not slip into a different stream or dimension of history, past or future.)
To be honest, I set up my camp with Mr Shackley, although a few tents along.
The mystery was solid.
The writing very good.
The words used created the atmosphere and the feel of the late 1950s (the book itself was written in 1959 and was the winner of the ‘Cock Robin’ mystery award).
But for me the problem was the bit between the lines. The feel of the characters and situation as I took my eyes off the page and turned it. They were lost to me until I hooked onto the words again.
If an Agatha Christie story was a painting, it would be a fine line drawing shaded with water colour pencils containing the odd patch of heavy red. Poul’s, on the other hand, would be a solid ink illustration, logically made up of thick firm black lines. With no shading.
After the sword had been wielded for the last time, after the culprit had been revealed, after the book had been closed, I didn’t have the feel of heart to want to join some of them again for the two follow up books (Murder in Black Letter and Murder Bound).
A solid read. But without the depth of characters that I can connect with.
5 out of 10.
Does Poul pull off a murder mystery as well as dear old Agatha or is the sword in the title really just a blunt knife?
Now, I must admit that this is the first Poul Anderson book that I have in fact read. I have not yet traveled the depths of time with him via the Time Patrol series.
As a follower of good mysteries containing bodies on vicars’ hearth rugs I thought I would try this well known author from the 50s onwards, despite a word from Mr. Paul Shackley that, for him, this was not one of his favorite Poul books. (The sword stays firmly in the time period that it is set in and does not slip into a different stream or dimension of history, past or future.)
To be honest, I set up my camp with Mr Shackley, although a few tents along.
The mystery was solid.
The writing very good.
The words used created the atmosphere and the feel of the late 1950s (the book itself was written in 1959 and was the winner of the ‘Cock Robin’ mystery award).
But for me the problem was the bit between the lines. The feel of the characters and situation as I took my eyes off the page and turned it. They were lost to me until I hooked onto the words again.
If an Agatha Christie story was a painting, it would be a fine line drawing shaded with water colour pencils containing the odd patch of heavy red. Poul’s, on the other hand, would be a solid ink illustration, logically made up of thick firm black lines. With no shading.
After the sword had been wielded for the last time, after the culprit had been revealed, after the book had been closed, I didn’t have the feel of heart to want to join some of them again for the two follow up books (Murder in Black Letter and Murder Bound).
A solid read. But without the depth of characters that I can connect with.
5 out of 10.
Monday, 11 November 2013
Three Novels And Three Short Stories
Three Detective Novels By Poul Anderson
Perish By The Sword
Murder In Black Letter
Murder Bound
Three Short Stories By Poul And Karen Anderson Collected In The Unicorn Trade
"Dead Phone"
"The Kitten"
"Single Jeopardy"
The three novels and the first short story star the San Francisco detective, Trygve Yamamura. The novels hint at supernaturalism whereas the short story ends by affirming it.
The first novel features a Metallurgic Laboratories company. "Single Jeopardy," published in Hitchcock's, is a murder story set in San Francisco about the two founders of a Metallurgical Research Laboratory, one of whom shares a surname with a character in the third novel.
"The Kitten," which ends by affirming the supernatural, is set in the fictitious town of Senlac, which also features in Poul Anderson's science fiction novel, There Will Be Time.
Perish By The Sword
Murder In Black Letter
Murder Bound
Three Short Stories By Poul And Karen Anderson Collected In The Unicorn Trade
"Dead Phone"
"The Kitten"
"Single Jeopardy"
The three novels and the first short story star the San Francisco detective, Trygve Yamamura. The novels hint at supernaturalism whereas the short story ends by affirming it.
The first novel features a Metallurgic Laboratories company. "Single Jeopardy," published in Hitchcock's, is a murder story set in San Francisco about the two founders of a Metallurgical Research Laboratory, one of whom shares a surname with a character in the third novel.
"The Kitten," which ends by affirming the supernatural, is set in the fictitious town of Senlac, which also features in Poul Anderson's science fiction novel, There Will Be Time.
Friday, 26 May 2017
The War II
See The War.
Contemporary novels become dated, then cease to be contemporary.
Poul Anderson's Murder In Black Letter was published in 1960. See here. Its main viewpoint character, Professor Kintyre, was aged nine in 1930. Thus, he was in World War II and, somewhere in the text, he tells us what either he or an acquaintance was doing in 1943. (I find it difficult to scan back and find relevant passages in an ebook.) (Later: I realized that I can search the ebook, e.g., for "1943.")
My interest, as before, is in fiction that was written when World War II was still a living memory. We are passing out of such a period. The longest running British TV soap opera began in late 1960 - originally intended as only a six-episode serial! In that opening episode, one elderly character spoke disparagingly about how a rather younger woman had conducted herself during the War. That whole period is becoming history. The cast of the soap has changed many times since then with only one character, originally a teenager, still played by his aging actor. I value Anderson's character, Manse Everard. Joining the Time Patrol in 1954, Everard both remembers the War and becomes able to revisit it.
Contemporary novels become dated, then cease to be contemporary.
Poul Anderson's Murder In Black Letter was published in 1960. See here. Its main viewpoint character, Professor Kintyre, was aged nine in 1930. Thus, he was in World War II and, somewhere in the text, he tells us what either he or an acquaintance was doing in 1943. (I find it difficult to scan back and find relevant passages in an ebook.) (Later: I realized that I can search the ebook, e.g., for "1943.")
My interest, as before, is in fiction that was written when World War II was still a living memory. We are passing out of such a period. The longest running British TV soap opera began in late 1960 - originally intended as only a six-episode serial! In that opening episode, one elderly character spoke disparagingly about how a rather younger woman had conducted herself during the War. That whole period is becoming history. The cast of the soap has changed many times since then with only one character, originally a teenager, still played by his aging actor. I value Anderson's character, Manse Everard. Joining the Time Patrol in 1954, Everard both remembers the War and becomes able to revisit it.
Wednesday, 28 April 2021
Detective Fiction And SF
See previous blog discussions of Poul Anderson's three detective novels:
Detective fiction is remarkably constrained in space, time, plot and theme when contrasted with sf. Furthermore, the explanation of the detective's reasoning in the concluding chapter transforms a novel from a work of literature into something more like a crossword puzzle.
Maybe the explanatory passages in the three Trygve Yamamura novels (see above) are not overly obtrusive? - although rereading these works yet again is not on my current agenda.
Also, reading Poul Anderson's mysteries has not inspired me to read much other detective fiction. I was already a fan of Holmes (also here and here.) I got into Montalbano through television. Many of Asimov's Black Widowers stories are trivial. I think that I have found yet another instance of under-explanation in The Mysterious Affair At Styles.
I will stay with sf. (See also Getting Into Detective Fiction, Maybe...)
Thursday, 19 September 2019
A Robert Kintyre Novel
Poul Anderson's Murder In Black Letter is not a Trygve Yamamura novel but a novel about Robert Kintyre with Yamamura in it. This broadens the perspective of the fictional universe as when:
Nicholas van Rijn gives way to his protege, David Falkayn;
one short story features David's grandson and a later novel features a direct descendant;
John Ridenour, introduced in a Dominic Flandry novel, reappears in a shorter work;
Flandry is succeeded by his daughter;
Manse Everard's protege, Wanda Tamberly, becomes the central character of some later Time Patrol episodes;
two other Patrol agents also lead stories;
Steve Matuchek's daughter, Valeria, is born in Operation Chaos, a teenager in Operation Luna and a young woman who meets Holger Danske from Three Hearts And Three Lions in the Old Phoenix in A Midsummer Tempest;
van Rijn also visits the Old Phoenix -
- a list of character interactions that begins and ends with van Rijn.
Nicholas van Rijn gives way to his protege, David Falkayn;
one short story features David's grandson and a later novel features a direct descendant;
John Ridenour, introduced in a Dominic Flandry novel, reappears in a shorter work;
Flandry is succeeded by his daughter;
Manse Everard's protege, Wanda Tamberly, becomes the central character of some later Time Patrol episodes;
two other Patrol agents also lead stories;
Steve Matuchek's daughter, Valeria, is born in Operation Chaos, a teenager in Operation Luna and a young woman who meets Holger Danske from Three Hearts And Three Lions in the Old Phoenix in A Midsummer Tempest;
van Rijn also visits the Old Phoenix -
- a list of character interactions that begins and ends with van Rijn.
Friday, 5 May 2017
2018
I searched the blog for "2018." The search result here (scroll down) contains a contradiction. Clue: in what year does Robert Heinlein's Future History begin?
I am again reflecting on the significance of year dates:
SM Stirling's The Sunrise Lands was published in 2007;
I am reading it in 2017;
one section of its Chapter Eleven is a flashback set in "2019 A.D." (p. 275);
however, this is not our timeline and Stirling's characters call 2019 "CY21";
2018 is significant, at least to me, because of James Blish's Year 2018!, which I read in the 1960s;
the 21st century, originally existing only in the texts of sf novels, has migrated to their publishing histories;
we are getting closer to the beginning of Poul Anderson's major Technic History;
and now in 2017 it is time for me to eat some breakfast.
Agenda:
read The Sunrise Lands, pp. 275-512;
begin Poul Anderson's Murder In Black Letter.
I am again reflecting on the significance of year dates:
SM Stirling's The Sunrise Lands was published in 2007;
I am reading it in 2017;
one section of its Chapter Eleven is a flashback set in "2019 A.D." (p. 275);
however, this is not our timeline and Stirling's characters call 2019 "CY21";
2018 is significant, at least to me, because of James Blish's Year 2018!, which I read in the 1960s;
the 21st century, originally existing only in the texts of sf novels, has migrated to their publishing histories;
we are getting closer to the beginning of Poul Anderson's major Technic History;
and now in 2017 it is time for me to eat some breakfast.
Agenda:
read The Sunrise Lands, pp. 275-512;
begin Poul Anderson's Murder In Black Letter.
Monday, 1 June 2015
Not Read Yet
Regarding Poul Anderson titles not yet read by me, Murder In Black Letter remains available but too expensive for my budget.
Since the SM Stirling novel to which I referred here was In The Courts Of The Crimson Kings, I searched the blog to see what, if anything, I had already posted about this novel. See here. There is an explicit reference to Poul Anderson but the viewpoint character of this passage is Frederik Pohl.
The fictional Pohl reflects that sf settings will have to go extrasolar as meanwhile Louis L'Amour and James Michener will fictionalize the exploits of planetary explorers, just as Kit Carson was fictionalized in his own lifetime. Carson even read dime novels about himself while he still really was fighting Indians in the Rockies. That is an interesting relationship when it occurs - between the real man and his fictional counterpart. If someone writes a novel in which Kit Carson reads a "Kit Carson" dime novel, then a fictional Carson reads about a fictional Carson or, to be more precise, a realistically fictional Carson reads about a fancifully fictional Carson.
Somewhere in Stirling's first "Lords of Creation" novel, The Sky People, an explorer on Venus reflects that people on Earth enjoy fictional accounts of the exploits of named planetary explorers. (Correction, 4 June 2015: not named. See here.) And this happens in a work of fiction that is written to celebrate earlier works of fiction written at a time when Mars and Venus really might have turned out to be inhabitable. Pretty smart stuff.
Since the SM Stirling novel to which I referred here was In The Courts Of The Crimson Kings, I searched the blog to see what, if anything, I had already posted about this novel. See here. There is an explicit reference to Poul Anderson but the viewpoint character of this passage is Frederik Pohl.
The fictional Pohl reflects that sf settings will have to go extrasolar as meanwhile Louis L'Amour and James Michener will fictionalize the exploits of planetary explorers, just as Kit Carson was fictionalized in his own lifetime. Carson even read dime novels about himself while he still really was fighting Indians in the Rockies. That is an interesting relationship when it occurs - between the real man and his fictional counterpart. If someone writes a novel in which Kit Carson reads a "Kit Carson" dime novel, then a fictional Carson reads about a fictional Carson or, to be more precise, a realistically fictional Carson reads about a fancifully fictional Carson.
Somewhere in Stirling's first "Lords of Creation" novel, The Sky People, an explorer on Venus reflects that people on Earth enjoy fictional accounts of the exploits of named planetary explorers. (Correction, 4 June 2015: not named. See here.) And this happens in a work of fiction that is written to celebrate earlier works of fiction written at a time when Mars and Venus really might have turned out to be inhabitable. Pretty smart stuff.
Saturday, 10 August 2013
Six More Volumes
I have been made aware of six volumes by Poul Anderson that I have not yet read:
The Trygve Yamamura Mysteries
Perish By The Sword
Murder In Black Letter
Murder Bound
Non-Fiction
Thermonuclear Warfare
Is There Life On Other Worlds?
The Infinite Voyage
Of the non-fiction titles, two are self-explanatory and address important issues whereas the third is mysterious and intriguing. Apparently, it is a children's introduction to astronomy, also an important topic.
I had known that there were three mystery novels but not that they shared a single central character, still less that that character also appears in a short story, "Dead Phone," (see here) that I had read once years ago, now remembering only that it was a mystery. I will reread it next before returning to For Love And Glory.
Sheila and I spent a weekend in Hay-on-Wye "book town" - a small town that, having lost whatever industry it originally had, has opted to attract tourists by converting many otherwise empty buildings, including even a defunct cinema, into second hand bookshops and also holds an annual literary festival with big name speakers. I rifled science fiction sections of bookshops but was disappointed to find, for the most part, only multiple copies of familiar items.
One bookshop specialized in mysteries but I either did not know of, or did not think to look for, Anderson's mysteries. However, I will now have to track down these books in order to read and blog about them, the moral of the story being that Poul Anderson Appreciation blogging still has a long future ahead of it.
The Trygve Yamamura Mysteries
Perish By The Sword
Murder In Black Letter
Murder Bound
Non-Fiction
Thermonuclear Warfare
Is There Life On Other Worlds?
The Infinite Voyage
Of the non-fiction titles, two are self-explanatory and address important issues whereas the third is mysterious and intriguing. Apparently, it is a children's introduction to astronomy, also an important topic.
I had known that there were three mystery novels but not that they shared a single central character, still less that that character also appears in a short story, "Dead Phone," (see here) that I had read once years ago, now remembering only that it was a mystery. I will reread it next before returning to For Love And Glory.
Sheila and I spent a weekend in Hay-on-Wye "book town" - a small town that, having lost whatever industry it originally had, has opted to attract tourists by converting many otherwise empty buildings, including even a defunct cinema, into second hand bookshops and also holds an annual literary festival with big name speakers. I rifled science fiction sections of bookshops but was disappointed to find, for the most part, only multiple copies of familiar items.
One bookshop specialized in mysteries but I either did not know of, or did not think to look for, Anderson's mysteries. However, I will now have to track down these books in order to read and blog about them, the moral of the story being that Poul Anderson Appreciation blogging still has a long future ahead of it.
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