Sunday, 17 May 2015
The Sea Of Space
"Her gaze went back to the blackness; stars and nebulae and cold galactic river." (p. 176)
Poul Anderson regularly describes stars seen from space and I usually skip past such passages but now realize that I could instead compile a long comparative list of these descriptions by Anderson and other sf writers.
How often is the universe compared to water? Nearly every title on Gregory Benford's Galactic Center series makes this comparison:
In The Ocean Of Night
Across The Sea Of Suns
Great Sky River
Tides Of Light
Furious Gulf
Sailing Bright Eternity
James Blish wrote evocatively:
"It was the empty ocean of space that washes between galaxies."
-Earthman, Come Home (London, 1963), p. 56.
"...the Rift turned and eventually faded out into a rill of emptiness, soaking into the sands of the stars." (p. 59)
And, in Anderson:
"...Rax...had drifted about until it stranded at last on this tolerant shore." -Young Flandry (New York, 2010), p. 214.
"...a brawling, polyglot, multiracial population, much of it transient, drifting in and out on the tides of space." -Flandry's Legacy (New York, 2012), p. 195.
Space has no tides but we get the idea.
Saturday, 9 June 2012
Faces
Many aliens in sf have heads with recognizable faces, minimally two eyes above and a mouth, for drinking, eating and speaking, below. A nose and visible ears are optional but usually present. Ears may be pointed. Star Trek has Spock of Vulcan and Poul Anderson's History of Technic Civilization has Aycharaych of Chereion, although Anderson does not commit the absurdity of suggesting that a Chereionite (descended from flightless birds) could interbreed with a Terrestrial.
A fictional alien is generated, e.g., by putting a cat-like head onto a humanoid body. Thus, terrestrial features are projected onto extraterrestrial organisms as, in the past, onto supernatural beings. Closely linked to recognizable faces is easy communication. Like us, the aliens not only have faces but also use them for communication. Intelligible sounds emanating from mouths are supplemented by tones of voice and facial expressions as well as by familiar body language. We can learn each other's spoken languages. We may be friends, enemies or trading partners but in any case we understand each other. It is harder to imagine easy communication and friendship with faceless beings.
organs for perception and communication;
limbs for locomotion and manipulation;
orifices for ingestion and excretion.
Anything lacking these functions is inanimate. Static, plant-like organisms do not interact with their environment enough to need to think about it so no motion or manipulation probably means no intelligence. Organs, limbs and orifices need not be immediately recognizable by us. They need not be organized in a way that we would recognize as bipedal, quadrupled, winged etc. The brain might be protected within the body or brain functions might be dispersed throughout the body. Organs etc should be identifiable by their functions if we have enough time to interact with their owners but their initial response to us might be fear, hostility, aggression, indifference etc.
A bodily surface need not resemble skin, fur, feathers, rhinoceros hide etc. It will not have evolved in an exactly Earth-like environment. Too many factors could differ:
distance from its sun;
nature of that sun;
whether the "sun" is one of the fifty per cent of stars that have one or more stellar companions which might prevent the formation of any planets or at least of planets with stable orbits;
rate of rotation;
axial tilt;
the precise mixture of gasses in the atmosphere;
radiation levels;
the amount of free liquid on the surface;
whether chemistry on the planet is right- or left-handed;
whether there is a plant like grass that grows across the surface and that can be cropped down to ground level without being killed;
whether there is a large satellite whose gravity can thin out the atmosphere of the primary and can also cause tides, facilitating the evolution of amphibians and thus the transition of life from sea to land;
whether a quadruped climbed into equivalents of trees, stayed there long enough to develop opposable thumbs and came back down to the surface with forelimbs freed for manipulation;
whether such a biped was solitary and taciturn or social, thus potentially linguistic;
whether manipulation and communication could have developed otherwise;
whether predators, an ice age, a solar flare or a comet wiped out a promising species before it developed intelligence;
whether such a species has developed civilization, then technology, and managed not to destroy itself long enough to contact intelligences in other solar systems.
humanly colonizable extra-solar planets (albeit sometimes requiring special equipment, precautions or dietary supplements).
(2) ibid, p. 3.
(3) ibid, pp. 3-4.
Friday, 11 March 2016
Space And Stars
A Life for The Stars by James Blish
The Game Of Empire by Poul Anderson
The Mercenary by Jerry Pournelle
These are the titles of:
a Scribner Juvenile by Heinlein;
the one Okie juvenile novel by Blish;
a Technic History novel by Anderson;
a CoDominium future history volume by Pournelle.
These four works also have in common early references to space travel and to a teenage protagonist, the right hooks to catch a certain kind of reader. Personally, if I read the first page, then I will continue to read. Anderson's character Diana sits under the sun Patricius and two moons in a place where the population drifts "...in and out on the tides of space." (Flandry's Legacy, p. 195)
Pournelle's fifteen year old character, John Christian Falkenberg, is in a spaceport and is described as "...a gangland youth..."
-Jerry Pournelle, The Mercenary (London, 1977), p. 15.
Many people glancing at these opening pages will read no further but some of us want to know about the tides of space and to accompany Falkenberg into a spaceship. I already know about Diana Crowfeather but let's learn more about this gangland youth.
Friday, 28 June 2013
The Game Of Empire
The novel begins:
"She sat on the tower of St Barbara..." (p. 195)
The opening paragraph establishes that this tower is not on Earth by telling us that the sun is called Patricius and that two moons are in the sky. The paragraph closes by telling us that the planet is called Imhotep, that its Mt Horn is twelve kilometers high and that "her people" have modified the climate since coming here.
In the second paragraph, "she" becomes "Diana" as she looks from the old quarter towards the city center where "...the Pyramid ...housed Imperial offices and machinery..." (ibid.) Of course, we already know that this novel is part of a series. Nevertheless, we can study the text to find out how soon it informs us of its relationship, if any, to other works by the same author. Thus, we might at this stage wonder whether these "Imperial offices" indeed represent the Terran Empire of Anderson's Technic Civilization series. At the end of the second paragraph, and of the first page of the text, we learn that the old quarter has:
"...a brawling, polyglot, multiracial population, much of it transient, drifting in and out on the tides of space." (ibid.)
Space has no tides but the metaphor is apposite. We expect interesting things from a varied and variable population.
The third paragraph not only informs us that Imhotep was colonized centuries previously but also refers both to the Troubles and to the Terran Empire, thus unequivocally confirming which fictitious timeline we are in. Also, we learn more about this particular planet, Imhotep, which has not appeared in the series before:
first, there was an exploration base, sometimes threatened by stampeding ice bull herds;
secondly, the planet was threatened by marauders during the Troubles;
thirdly, "...the hand of the Terran Empire reached this far..." (p. 196).
St Barbara's, originally part of the defensive works against ice bulls and marauders, has long since been obsolete, its guns scrapped, its chambers empty, its vine-covered yellow stone crumbling, its neighboring towers demolished and a market square surrounding it. It is "...in Olga's Landing...," which seems to be the name of the city (ibid.).
We do not yet know who Diana is or why she sits on St Barbara but a lot more information will be imparted before she speaks for the first time in our hearing in the middle of p. 199.
Friday, 24 July 2020
Time And Tide
Anderson's The Game Of Empire refers to "...the tides of space." See here.
Gregory Benford's titles include Tides Of Light. See also here.
In Chase The Morning, the tide is changing but:
"'Not the tides of water...'"
-CHAPTER FIVE, p. 117.
In the Aquaman comic for a while, the letter column was called "Time and Tide" and was headed with a silhouette of a lighthouse and a man diving into the sea but I cannot find this image.
Google attributes the phrase to Geoffrey Chaucer.
Sunday, 28 April 2019
"There Is A Tide"
"There Is A Tide" is the title both of a story by Brian Aldiss and of one by Larry Niven.
In Aldiss' story, the first person narrator refers several times to "the Massacre," e.g.:
"He (and there were many others like him, unfortunately) thought of the Massacre as man's greatest achievement."
-Brian Aldiss, "There Is A Tide" IN Aldiss, Space, Time And Nathaniel (London, 1966), pp. 112-125 AT p. 115.
At the very end of the story, having learned of a coming catastrophe, the narrator reflects:
"The ten years to follow would be as terrible as the ten years of the Massacre, when every member of the white race had been slain.
"Now we negroes, in our turn, stood at the bar of history."
-op. cit., p. 125.
Reading that in my teens, I suddenly felt distanced from the narrator and his contemporaries. Now, I would primarily be concerned about the survival of the human race.
Niven's story is about the discovery in space of a small but high-gravity sphere of neutronium which causes unbelievable tides on a nearby planet. The same phrase could also have been used as the title of Niven's "Neutron Star," in which arrangements made by Puppeteers for orbiting a neutron star show that they are unaware of tides and therefore that their home planet lacks a moon. This is similar to Dominic Flandry's deduction about the nature of Chereion's sun from the fact that the range of wavelengths visible to Ayycharaych differs from the range visible to human beings. But, having shifted from tides to light, I will end the post.
Friday, 7 June 2013
Tide And Twilight
"'...Listen. Five hundred years ago, the Polesotechnic League had a base here. You've heard?'
"Flandry...nodded wistfully. He would much rather have lived in the high and spacious days of the trader princes, when no distance and no deed looked too vast for man, than in this twilight of empire." (p. 18)
We can read of those "...high and spacious days..." in earlier volumes. We can also share the traders' nostalgia not only as their careers end but also as their League declines. Meanwhile, Flandry faces the decline of empire which Anderson describes with colorful metaphors, not only as "...twilight..." but also:
"Tonight Irumclaw [a planet] lay like a piece of wreckage at the edge of the receding tide of empire." (p. 12)
Space is more than once compared to the sea. The non-humanoid Rax is said to have left its home planet and:
"...drifted about until it stranded at last on this tolerant shore." (p. 23)
And, in a later novel, the multiracial population of another colonized planet is described as:
"...drifting in and out on the tides of space." (Flandry's Legacy, New York, 2012, p. 195)
A Circus Of Hells describes three planets:
Irumclaw, when enclosed by the Empire, was a center of commerce and culture but, now that it is on the periphery, its mansions are empty or owned by oafs while the natives return to barbarism;
Wayland joins Satan and Mirkheim as an industrially valuable and exploited planet;
Talwin has a skewed orbit and two intelligent species and its characteristics were summarized in an earlier post.
Friday, 20 April 2012
Who Knows of Avalon?
"slightly more irradiation, from a somewhat yellower sun, than Earth gets, which simply makes it a little warmer;
"axial tilt, therefore seasonal variations, a bit less than terrestrial;
"length of year about three quarters of ours, length of day a bit under half;
"one small, close in, bright moon;
"biochemistry similar to ours - we could eat most native things, though we'd require imported crops and livestock to supplement the diet.
"All in all, seemingly well-nigh perfect." (1)
Addendum, Sun 23 Nov 2015: I was too brief about the Khruaths -
an ancient Khruath was a periodic gathering open to all free adults in a territory;
later, regional Khruaths elected delegates to Year-Khruaths covering larger territories;
Year-Khruaths send delegates to the High Khruath of the planet, meeting every six years or on extraordinary occasions;
Wyvans are chosen at each level;
however, any free adult can attend a Khruath at any level.
Chapter Six
(2) ibid., p. 40.
(3) Poul Anderson, "Wingless" IN The Earth Book of Stormgate, pp. 411-420, AT pp. 413-414.
(4) ibid., p. 417.
(5) Poul Anderson, The People of the Wind, London, 1977, p. 7.
(6) ibid., p. 10.
(7) ibid., p. 18.
(8) ibid., p. 127.
Monday, 9 October 2023
The Old Quarter
Monday, 1 February 2021
Anderson Celebrates Life II
Never more so than in the opening chapter of The Game Of Empire where the old quarter of Olga's Landing on Imhotep in the Patrician System:
Monday, 27 September 2021
Scene Setting
Saturday, 24 May 2025
From Page To Screen
I am a stickler for accurate screen dramatizations of novels. However, extraordinary measures would be necessary to translate to screen all the information conveyed in CHAPTER ONE of this novel. Maybe a mixture of voice-over and scrolling script to inform us that:
the sun is called Patricius;
Diana's people had come to Imhotep;
the Pyramid houses Imperial offices;
the transient, multiracial population of the old quarter drifts "...in and out on the tides of space..." (p. 195);
"Who holds St. Barbara's holds the planet." (p. 196)
We would be directly shown the Miniature Computers and other wares on sale in the shops and booths of Olga's Landing, all of them.
Tuesday, 2 April 2019
Monobloc Formation
In the preceding chapters, Anderson has described:
stars, galaxies, clusters and newly termed "clans," i.e., groups of clusters of galaxies;
cosmic processes - stellar aging and universal expansion and contraction.
Now, however, after the contraction, his space-traveling characters observe and even directly experience the pre-cosmic process of monobloc formation. Anderson's text has to become more poetic and epic, less prosaic or scientific:
space flames;
a firestorm;
glowing hydrogen;
a supernal sun forms and brightens at the heart of existence;
galaxies fall into it;
gaseous sheets, banners, aurora, flame, lightning and radiant spears hide it;
vast electric, magnetic, gravitational and nuclear forces tear through its atmosphere;
shock waves, tides, currents and cataracts burst across megaparecs;
the ship flies along the outer fringe while cycles of billions of years pass as moments -
- and my willing suspension of disbelief has fled in the attempt to quote/summarize (this post combines both).
A pilot rides the ship down a wave whose foam is supernovae. (No, he doesn't! - and there are no stars left to go nova.) Force fields burn and roil, spewing sparks and globes:
"It believed in the metal of the ship, in flesh and skulls." (p. 182)
"...believed..." is wrong but I am not sure what word it should be.
The deck pitches. If the forces are physically affecting the ship that much, how can human responses possibly cope?
They must hold the ship away from the lethally radioactive monobloc but must also keep it where the gas is dense enough to decrease their tau. They are still emulating their literary predecessor, the Time Traveler, although in conditions that neither he nor his creator could have imagined. Gigayears must become hours. Without instrumental or computational aid, human instincts and trained reflexes alone must ride the ship safely through forces that will reduce it to particles if they strike full on. The pilots are guided only by a screen somehow displaying those exterior force fields. Surely this is impossible?
Reymont, relieving a pilot, steers, eases, vectors, thrusts, brakes, swings wide...
The screen blanks, the ship darkens and everyone feels heavy, then light, as inertia and the natural constants change, space-time-matter-energy ultimately convulses, light returns, the storm worsens, the monobloc explodes, creation begins and the ship decelerates.
Saturday, 7 February 2015
Imhotep
The city of Olga's Landing on the planet Imhotep in the Patrician System began as an exploration base. Guns in the tower of St Barbara provided defense against stampeding ice bull herds and later against human beings during the Troubles but now the disarmed tower, sunseeker vine clambering up its crumbling yellow stone, stands in the middle of a market square in the old quarter.
From the tower, Diana sees the new sector with industries, hotels, apartments, the Institute and the Pyramid housing Imperial offices but she prefers the old quarter with its:
"...brawling, polyglot, multiracial population, much of it transient, drifting in and out on the tides of space." (ibid.)
Imhotep seems as real as Kipling's India.
Tuesday, 2 June 2015
All The World(s) Going And Coming
"'Look! Brahmins and chumars [or see], bankers and tinkers, barbers and bunnias, pilgrims and potters - all the world going and coming.'"
-Rudyard Kipling, Kim (London, 2010), p. 58.
And, on the extrasolar planet Imhotep, Diana Crowfeather sees, among the "...brawling, polyglot, multiracial population, much of it transient, drifting in and out on the tides of space..." (Poul Anderson, Flandry's Legacy, p. 195), Tigeries, a Donarrian, Irumclagians, Shalmuans and a Wodenite.
Religions on Imhotep are also as diverse as in Kipling's India. Whereas Tigeries are inchoate pagans and Diana sleeps in "...a ruinous temple..." (p. 196), the Wodenite, Francis Xavier Axor, is ordained in the Galilean Order of the Jerusalem Catholic Church. The orphan Diana guides Axor just as the orphan Kim had guided a Tibetan lama (see image).
Read Kipling, then Anderson (if you haven't already).
Friday, 25 November 2022
Villages And Castles
Scotha is appropriately like and unlike Earth:
Friday, 13 March 2026
Vorlak
After Doomsday, 5.
The planet, Vorlak, was unified into an imperium under the Overmaster eight thousand years ago and discovered by spacefarers two hundred years ago. Since that discovery, the Dragar, masters of sea warships, have become masters of space warships while the imperium has lost power but still embodies wisdom. Vorlakka history has been maritime because most of their land is islands made swamps by tides.
Through the open doors of the Dragar hall, Donnan hears surf, night-birds and a spouting, roaring saurian and smells cold unfamiliar odours. Battle banners hang from remote rafters.
One Draga advises Donnan to kill any of his men who question his authority but he cannot kill any human beings when so few remain!
When there is a pause in the dialogue:
"Even the fire and surf seemed to hush themselves." (p. 44)
Of course the fire and surf did not quieten down but the elements always seem to correspond to the conversation in Poul Anderson's works.
Draga honour grants four inalienable rights:
Friday, 24 July 2020
Same Space Or Other Space II
Other worlds coexist along a fourth spatial dimension or occupy the same three-dimensional space while vibrating at different rates - or are the same world perceived differently as suggested in Chase The Morning where the language used is metaphorical rather than metaphysical.
Many tides ebb and flow on the shores of the world. Most people, when another tide laps about their feet, pull back from it because they prefer their familiar predictable reality, the Core, rather than the Spiral toward the Rim. Mathematicians, even deep within the Core, say that a sphere, a spherical world, has not no corners but infinite corners. Each corner is a place, corresponding to past, future or fiction. Many people never find these intermingling places whereas others pass easily between them. This reads like a completely different account of Anderson's Old Phoenix.
When a man returns from a fantastic vision of Liverpool to his mundane business office, he is able to find information about fantastic ships and their cargoes on his computer and the Wolves from the alternative reality pursue him into the Core.
Wednesday, 13 March 2013
Winding Up On World Without Stars II
Poul Anderson's Tau Zero mentions planets of an intergalactic red dwarf and his World Without Stars is set on one. World Without Stars mentions the cosmic collapse and Tau Zero is about it.
"...must we kill through all time, until time ends when the disgusted universe collapses inward on us?" (World Without Stars, New York, 1966, pp. 115-116)
Thus, cosmic collapse is invoked in a comment on conflict but it also reminds us of the novel's cosmic context.
The wise and capable Hugh Valland, spaceman, singer and sometime soldier, shows us that an ancient and apparently impregnable empire might be ripe for overthrow:
" '...there can't be an awful lot of Herd soldiers. The downdevils never needed many, and won't have time to breed a horde - which they couldn't supply anyway.' " (p. 118)
This is realistic, practical and also inspiring thinking.
The spaceship is lit by "evershine[s]," (p. 31) a phrase simultaneously suggesting both a future advance in technology and a part of the environment that has been around for a long time, like evergreens.
Back on Earth, Argens visits a man who looks young but has the manner of age. That paradox would exist with the antithanatic.
Argens' rented flying "flitter," "...had bunk, bed and food facilities." (p. 124) Here is another example of advanced technology, in this case suggesting that, beyond a certain stage of technical development, it should be possible for anyone to go anywhere in comfort. He is even able, inside the flitter, to tune in to "...multisense programs..." but they "...were not for a spaceman..." so he prefers to go for a walk. (p. 124):
"This was Manhome. No matter how far we range, the salt and the rhythm of her tides will always be in our blood." (p. 124)
That passage could have appeared in any futuristic novel about space travel and is a good place for me to discontinue these concluding remarks.
Thursday, 2 April 2020
Earth And Home
"Your car is perfectly safe, provided it was built later than 3100 A.D."
-Larry Niven, "Safe at Any Speed" IN Niven, Tales Of Known Space (New York, 1975), pp. 217-220 AT p. 217.
The point: home is where we live wherever that is. Three examples -
On a planet, soon to be called New Earth, in the Greater Magellanic Cloud, John Amalfi says:
"'We're all Earthmen, Karst. Earth is more than just one little planet, buried in another galaxy than this. Earth is much more important than that.
"'Earth isn't a place. It's an idea.'"
-James Blish, Earthman, Come Home IN Blish, Cities In Flight (London, 1981), pp. 235-465 AT CHAPTER NINE: HOME, p. 465.
Dominic Flandry tells the young Nyanzans:
"'When the Long Night comes for Terra, somebody will have to carry on. It might as well be you.'"
-Poul Anderson, "The Game of Glory" IN Captain Flandry: Defender Of The Terran Empire (Riverdale, NY, 2010), pp. 303-339 AT VIII, p. 339.
Sandra Miesel writes a coda to Poul Anderson's Psychotechnic History:
"To Earth there's no returning. She vanished with the childhood of our race. Yet as a poet once said, 'No matter how far we range, the salt and rhythm of her tides will always be in our blood.' One chapter has ended. Humankind's saga flows on."
-Sandra Miesel IN Poul Anderson, The Complete Psychotechnic League, Volume 3 (Riverdale, NY, 2018), p. 216.















