As of 1981, Poul Anderson had won five Hugo awards for works of sf or fantasy, which were collected that year in Winners (New York, 1981), although, according to Wikipedia, his total eventual score for Hugos was seven so that Winners, if republished, could have two additions.
Another of the five in Winners is "No Truce With Kings" which, at 84 pages, must count as a "novella" or a "novelette" rather than a short story? (I tend to divide prose fiction just into "novels" (over 100 pages) and "short stories" (less)).
My memory from an earlier reading of "No Truce With Kings" is that it was rather disjointed with too many changes of perspective and also some sf cliches like taken for granted psychic powers. However, I am now giving it a second chance.
In the opening pages of a Poul Anderson work, we pick up clues as to the setting and nature of the narrative. Thus, in this one, there is a Pacific States of America which has existed long enough for an Army unit to acquire a story that its "...dead came out of the cemetery every September Nineteenth night..." (p. 11) Is this just a story? Then why does the unit have a "...hex major"? Are we reading a fantasy in which the dead literally return?
My memory tells me not but the point is to be tuned in to the nuances and implications of the text while reading it afresh and I still have 82 pages ahead of me.
Showing posts with label Winners. Show all posts
Showing posts with label Winners. Show all posts
Friday, 6 September 2013
Assessing The Longest Voyage
In Poul Anderson's "The Longest Voyage" (Winners, New York, 1981), the Montalirian beliefs are:
monotheism;
the Fall of Man;
the birth of God's Daughter;
prayers addressed to her;
the authority of scripture;
saints;
polytheists looked down on as pagan or heathen.
Thus, during their thousands of years of isolation on an extra-solar planet, human beings have essentially re-invented Christianity.
Their "...ancestors...must have been fleeing the consequences of some crime or heresy, to come so far from any human domain." (p. 117)
That makes them sound like the Aenean rebels expelled by Dominic Flandry in Anderson's Technic Civilization History. However, we think that we know where those rebels wound up. Further, it seems that this story cannot belong to that series, even though Val Nira, the stranded space traveler, refers to Earth as "...Terra!" (p. 119)
In the interstellar civilization described by Val Nira:
wealth-carrying spacecraft are unarmed and unescorted because there is neither piracy nor war;
there is little crime;
the few criminals are easily apprehended, then cured of any illegal wish, thus becoming "...completely trustworthy" (p. 127);
the government, "...a devoted fellowship...chosen by examination...", seeks the common welfare (ibid.)
Is Val Nira exaggerating? Someone who was very naive might think that our present governments answer his description! The story might after all fit into the Technic History, although not into either the Solar Commonwealth or Terran Empire periods. These utopian conditions might conceivably exist in one of the spiral arms during the much later Commonalty period.
Captain Rovic does not, as I misremembered the story, commit murder. What happens is that Val Nira runs back towards his spaceship just as it explodes, thanks to Rovic detonating explosives inside it. Rovic says:
"'Someday, our descendants will build their own Ship...Meanwhile...we'll sail the seas of this earth, and walk its mountains, and chart and subdue and come to understand it...That is what the Ship would have taken from us." (p. 140)
I think that this is out of character. Rovic would not have taken it upon himself to make this decision for everyone else but would have secured the Ship for his Queen - he was circumnavigating their world to her glory. If he had then advised her to destroy the Ship, I - if I were present, of course - would have argued against it, although I consider it unlikely that he would devise such an abstruse argument in the first place. Their entire planetary population had been cut off from the human interstellar civilization for millennia. Thus, to rejoin that civilization without any delay would merely have been to regain what had been lost. Most of them would remain where they were and would still be able to explore their planet. I find it unlikely that a sea captain would place such a high value on further millennia of gradual exploration and discovery by his people's descendants.
monotheism;
the Fall of Man;
the birth of God's Daughter;
prayers addressed to her;
the authority of scripture;
saints;
polytheists looked down on as pagan or heathen.
Thus, during their thousands of years of isolation on an extra-solar planet, human beings have essentially re-invented Christianity.
Their "...ancestors...must have been fleeing the consequences of some crime or heresy, to come so far from any human domain." (p. 117)
That makes them sound like the Aenean rebels expelled by Dominic Flandry in Anderson's Technic Civilization History. However, we think that we know where those rebels wound up. Further, it seems that this story cannot belong to that series, even though Val Nira, the stranded space traveler, refers to Earth as "...Terra!" (p. 119)
In the interstellar civilization described by Val Nira:
wealth-carrying spacecraft are unarmed and unescorted because there is neither piracy nor war;
there is little crime;
the few criminals are easily apprehended, then cured of any illegal wish, thus becoming "...completely trustworthy" (p. 127);
the government, "...a devoted fellowship...chosen by examination...", seeks the common welfare (ibid.)
Is Val Nira exaggerating? Someone who was very naive might think that our present governments answer his description! The story might after all fit into the Technic History, although not into either the Solar Commonwealth or Terran Empire periods. These utopian conditions might conceivably exist in one of the spiral arms during the much later Commonalty period.
Captain Rovic does not, as I misremembered the story, commit murder. What happens is that Val Nira runs back towards his spaceship just as it explodes, thanks to Rovic detonating explosives inside it. Rovic says:
"'Someday, our descendants will build their own Ship...Meanwhile...we'll sail the seas of this earth, and walk its mountains, and chart and subdue and come to understand it...That is what the Ship would have taken from us." (p. 140)
I think that this is out of character. Rovic would not have taken it upon himself to make this decision for everyone else but would have secured the Ship for his Queen - he was circumnavigating their world to her glory. If he had then advised her to destroy the Ship, I - if I were present, of course - would have argued against it, although I consider it unlikely that he would devise such an abstruse argument in the first place. Their entire planetary population had been cut off from the human interstellar civilization for millennia. Thus, to rejoin that civilization without any delay would merely have been to regain what had been lost. Most of them would remain where they were and would still be able to explore their planet. I find it unlikely that a sea captain would place such a high value on further millennia of gradual exploration and discovery by his people's descendants.
Thursday, 5 September 2013
Winners
The five stories collected in Poul Anderson's Winners (New York, 1981) and the eighteen works collected in his Going For Infinity (New York, 2002) overlap by two items: "The Queen of Air and Darkness" and "Goat Song."
The rationale for Winners is that each of its five stories had won the Hugo award from the annual World Science Fiction Convention (sf fans) - and "Goat Song" had also won the Nebula award from the Science Fiction Writers of America (sf professionals). The rationale for Going For Infinity is that it is a retrospective of fifty years of writing so it is appropriate that it includes two of the award winners.
I am rereading another Winner: "The Longest Voyage." This story opens with a reference to a "...Sky Ship..." (p. 97) We may guess that this will turn out to be a spaceship, although not necessarily. The characters in Anderson's "The Sky People" are not space travelers. Initially, "The Longest Voyage" reads like a parallel world story where magic might work. A sailing ship is circumnavigating a world where all the place names are strange and so-called sea monsters are heard to breach at night. An Elizabethan atmosphere is generated when the captain refers to "'...Her Majesty...'" and "'...her most excellent Company of Merchant Adventurers...'" and says that this voyage is "'...to her glory.'" (p. 100)
Before long, the characters, and thus the reader, learn that Tambur, the large stationary celestial body that became visible when the ship entered the other hemisphere, is a planet of which the sailors' own world is a tidally locked satellite. This is hard sf. There is a legend that mankind was "'...hurled...down onto the earth, at the time of the Fall from Heaven.'" (p. 102)
- so are our protagonists descendants of stranded Earthmen and will the "Sky Ship" reestablish interstellar contact? Only further reading will tell.
The rationale for Winners is that each of its five stories had won the Hugo award from the annual World Science Fiction Convention (sf fans) - and "Goat Song" had also won the Nebula award from the Science Fiction Writers of America (sf professionals). The rationale for Going For Infinity is that it is a retrospective of fifty years of writing so it is appropriate that it includes two of the award winners.
I am rereading another Winner: "The Longest Voyage." This story opens with a reference to a "...Sky Ship..." (p. 97) We may guess that this will turn out to be a spaceship, although not necessarily. The characters in Anderson's "The Sky People" are not space travelers. Initially, "The Longest Voyage" reads like a parallel world story where magic might work. A sailing ship is circumnavigating a world where all the place names are strange and so-called sea monsters are heard to breach at night. An Elizabethan atmosphere is generated when the captain refers to "'...Her Majesty...'" and "'...her most excellent Company of Merchant Adventurers...'" and says that this voyage is "'...to her glory.'" (p. 100)
Before long, the characters, and thus the reader, learn that Tambur, the large stationary celestial body that became visible when the ship entered the other hemisphere, is a planet of which the sailors' own world is a tidally locked satellite. This is hard sf. There is a legend that mankind was "'...hurled...down onto the earth, at the time of the Fall from Heaven.'" (p. 102)
- so are our protagonists descendants of stranded Earthmen and will the "Sky Ship" reestablish interstellar contact? Only further reading will tell.
Subscribe to:
Posts (Atom)



