Showing posts with label The Anubis Gates. Show all posts
Showing posts with label The Anubis Gates. Show all posts

Friday, 28 March 2014

Three Other Time Travel Novels

There are at least three time travel novels by other authors that should be read alongside Poul Anderson's six time travel volumes.

The Technicolor Time Machine by Harry Harrison: familiar Andersonian territory - Vinland, circular causality and humor;

The Anubis Gates by Tim Powers: circular causality and fantasy;

Bid Time Return/Somewhere In Time by Richard Matheson: like The Time Traveler's Wife, a romantic novel of time travel.

I said earlier that "the cleverest kind of time travel story" was one in which past events seem not to proceed as they should but then the author gets them back on track. Anderson does this in The Dancer From Atlantis but it is a technique perfected by Powers and Matheson.

In The Anubis Gates:

The Times reports a talk by Lord Byron on a particular date;

a coach party of time travelers, suitably attired in period costumes, arrives to hear the talk;

they have arrived a week too early!;

however, since Lord Byron is to hand and since so many people have traveled so far to hear him (!), he agrees to deliver the talk a week earlier than planned;

a journalist attends and takes notes;

this is the talk that is reported in The Times.

Later:

it is recorded that our hero's dead body was found on a particular date;

fighting his (magically generated) clone on the appointed date, he sustains a wound that was not recorded and suddenly realizes that it is the clone's body that is to be found;

passing the presumed date of his death, he happily regains the freedom of the unknown...

In Bid Time Return:

the central character, having read a hotel register decades later, knows exactly when he signed in at a hotel and which room he stayed in;

approaching the hotel lobby, he pauses in order not to arrive too soon, then hurries in order not to arrive too late, although it is impossible that he arrive any earlier or later than he did arrive;

the hotel clerk starts to give him the wrong room key and he must restrain himself from saying, "That's the wrong room!;"

a second clerk says, "That room has been booked," and the first clerk gives him the right key after all.

Ingenious. If I were on the Desert Island with only one work of fiction, it would be Time Patrol but, if I were to be allowed a few more volumes, then they would include a small time travel library.

Sunday, 9 September 2012

"Hard Fantasy"

(I have copied this post from the Science Fiction blog because it was written as an introduction to some further comments on Poul Anderson's Operation Luna.)

The premise of Robert Heinlein's "Magic, Inc." is that magic works and is practised like a set of technologies. Magical practice is based on the reality of supernatural entities and forces, not on any new theory, discovery or application of the natural sciences. Thus, "Magic, Inc." is fantasy, not science fiction (sf).

We might call it "hard fantasy" to indicate that the implications of the premise are deduced as rigorously as are the consequences of any new technology in hard sf.

Two other "hard fantasies":

in The Anubis Gates by Tim Powers, there is time travel to historical periods with circular causality as in an sf novel but here the time travel is one of several applications of magic;

in Black Easter/The Day After Judgement by James Blish, demons are real.

Blish wrote mostly hard sf. It is possible, when reading his fantasies, to forget that they are a different genre from his sf. Indeed, some of his characters find it hard to believe that their high technology coexists with demons. In fact, Black...Judgement is the second volume of a trilogy about the conflict between secularism and supernaturalism. Volumes I and III remain ambiguous but it is a premise of Volume II that demons exist and are neither technological nor extraterrestrial but supernatural.