Any first person narrative raises questions like: Whom is the narrator addressing? Are we to understand that this fictional character is writing an account for publication in his world? Sometimes the question is answered. In Poul Anderson's"How To Be Ethnic In One Lesson," James Ching tells whoever reads his account how he gained a Polesotechnic League apprenticeship. In Anderson's The Earth Book Of Stormgate, Hloch tells his Avalonian readers first that Ching kept a private journal and secondly that this extract from that journal is to be reproduced in the Earth Book.
Anderson's Steve Matuchek telepathically broadcasts Operation Chaos between universes, so that it is mentally received and written down as fiction, whereas he buries Operation Luna in a bank vault. In Anderson's There Will Be Time, Poul Anderson's Maurai future history is a fictionalized account of a future society described by a time traveling acquaintance of a relative of Anderson's.
The human author of Last And First Men thinks that he is writing fiction and indeed he is distorting most of what the Neptunian narrator transmits to him. CS Lewis wrote a true account of Weston's and Ransom's journey to Mars but fictionalized their names! A personal friend and former colleague of James Bond wrote inaccurate accounts of his exploits! Dornford Yates' Richard Chandos narrates nine novels, sometimes implying that his accounts are to be published but also disclosing confidential information that could not possibly be published. It makes no sense to tell the public that two people kept the secret of their feelings towards one another! Ambiguous.
Examples proliferate.
4 comments:
Paul:
I've mentioned the Ciaphas Cain stories set in the Warhammer 40000 sf universe. Much as with George MacDonald Fraser's Flashman tales, the Cain stories are presented as memoirs Cain knew could never be published, so he felt free to be completely open about his cowardice despite being renowned as a great hero. Although the long-time associate who edited these memoirs for a very limited publication comments that Cain doesn't give himself enough credit. And no matter what his motivation may have been, it's certain that he accomplished some awesome things.
David R. Palmer's Emergence is narrated by the protagonist in a very "telegraphic" style, because it's supposedly a set of journals she's writing in a post-nuclear USA. She hopes the journals will be read by her (hopefully many) reverent descendants after she's died at a venerable age — at the time of writing she's eleven — but acknowledges that they may instead be found by a "nonscheduled" reader (abbreviated "NSR").
"There. Clear enough?
"No? Complaints—from NSR? Too brief? More confused now than before explanation?
"Some nerve! If reader truly nonscheduled, then writer almost certainly dead...!"
Kaor, Paul!
I would need to check, but I thought Stirling explicitly mentioned A. Conan Doyle as the author of the Holmes stories in THE PESHAWAR LANCERS. That Doyle was in fact one of the survivors of the Fall which devastated the Earth of PESHAWAR. Albeit, he was considered not quite entirely sane, due to the shock and horror of the Fall.
Sean
Sean,
Yes, the Holmes author was Doyle, not Watson, in THE PESHAWAR LANCERS.
Paul.
Kaor, Paul!
And I recall mention of how people in the PESHAWAR universe thought the Holmes stories, set in a world where the Fall did not happen, rather unhealthy!
Sean
Post a Comment