Poul Anderson both wrote good action fiction and presented ideas through fiction. Occasionally, I think that the action is unnecessary, e.g., in The Boat Of A Million Years, a rescue from a hospital could have happened off-stage if it even had to happen.
A few stories have a lot of action but do present an idea at the end, e.g.:
"The Nest";
"Eutopia";
"The Master Key";
"Brake."
"Brake" works its way both to an explanation of why the characters are fighting and to the solution of a technical problem. Anderson heroes are good fighters and problem-solvers.
5 comments:
Kaor, Paul!
I thought the reason why the wounded "immortal" we see being rescued from the hospital in THE BOAT OF A MILLION YEARS was because Senator Edmund Moriarty was getting too close to unmasking what KIND of people Hanno and his companions were?
Compared to the other three stories you listed, I thought "Brake" was in some ways the weakest, literarily speaking.
Sean
Sean,
Oh yes, there was a reason.
Paul.
Kaor, Paul!
I did think the Moriarty sub-plot in BOAT ended rather unsatisfactorily. We are not told how his efforts to find out the great secret of Hanno and his companions were thwarted. Unless we are to assume they simply disappeared to outlive Moriarty.
Sean
Sean,
I think the main idea is that they just outlive him.
Paul.
Kaor, Paul!
I think it would have helped if we had been told Moriarty's agents had reported they had lost track of Hanno and Co., leaving him to fume in angry frustration.
Sean
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