"He told her.
"She stood long silent."
-Poul Anderson, Mirkheim IN Anderson, Rise Of The Terran Empire (Riverdale, NY, 2011), pp. 1-291 AT Chapter XVII, p. 238.
"Flandry told him.
"Enriques was still for a long moment."
-Poul Anderson, Ensign Flandry IN Anderson, Young Flandry (Riverdale, NY, 2010), pp. 1-192 AT Chapter Sixteen, p. 167.
A couple of times before, I have found very similar passages in different texts and quoted them side by side.
In Mirkheim, David Falkayn tells Sandra Tamarin that Benoni Strang is Bayard Story. In Ensign Flandry, Dominic Flandry tells Admiral Enriques that a rogue planet is on a collision course with the star, Saxo. In both cases:
this single new datum explains much that had previously puzzled the characters;
however, the author does not want the reader to know what the new datum is until later in the narrative;
hence, "He told her" and "Flandry told him."
What would be the best way to film such scenes while preventing the audience from gaining the crucial information too soon? For discussion of the Mirkheim example, see "How To Film Mirkheim?" here. In particular:
(iii) Sandra shows van Rijn's agent, David Falkayn, a tape of her
recent conversation with Strang. We should not see the screen. Falkayn
yells, asks whether Strang has a twin brother or a double, then
explains. While he explains, the camera should pull back so that we do
not hear what he is saying.
I go further and suggest that the camera should pull back through the window so that we see the New Keep, where the characters converse, from the outside, then further back so that we see more of the Hermetian city of Starfall. We know that something important is being imparted while we are being shown the Palomino River, Daybreak Bay, Olympic Avenue, Pilgrim Hill, the Old and New Keeps and Signal Station.
In Ensign Flandry, the camera pulling back through a window of Dragoika's house would show us armed Kursovikians filling Shiv Alley and spilling into the Street Where They Fought. We would see that something important was happening while Flandry continued to answer Enriques' questions.
See also Filming Poul Anderson.
5 comments:
Kaor, Paul!
I like that! I mean that filmed versions of MIRKHEIM and ENSIGN FLANDRY should pull back so we don't hear what Falkayn and Flandry told Grand Duchess Sandra and Admiral Enriques at these critical moments.
This is as good a place as any for me to dwell a bit on a character seen only once in ENSIGN FLANDRY, but could have been seen again, a person I and most readers must have quickly passed over. I mean this bit from Chapter 10: "Lord Oliveira of Ganymede, Imperial Ambassador to his Supremacy the Roidhun, scurried forth. He was a thin and fussy man whose abilities had on a memorable occasion given Brechdan a disconcerting surprise."
I suspect Lord Oliveira's "fussy" demeanor was at least partly put on to make the Merseians underestimate him. And I wonder how exactly Oliveira had outwitted or outmaneuvered Brechdan? And since he was Lord of Ganymede I wondered what his rank in the peerage was, baron or earl? Rather a pity we don't see him again!
Sean
Sean,
An article on "Characters We Wish We Had Seen Again"?
Paul.
Kaor, Paul!
An interesting notion, one which needs to be considered. Besides Lord Oliveira, I can think of several characters I wish we could have seen or seen again, such as the widow of Emperor Georgios or Leon Ammon.
Sean
Sean,
And Persis d'Io.
Paul.
Kaor, Paul!
Her too! Or Lord Adviser Chardon, seen once in Chapter 1 of ENSIGN FLANDRY.
Sean
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