The illusion of continuity is generated by:
a long series, especially one that reflects the passage of time;
references to events occurring between installments;
sometimes, installments written later but set earlier;
references to the character in other works by the same author;
sometimes, continuations by other authors.
Thus:
at the end of Anderson's Three Hearts And Three Lions, Holger Danske embarks on a journey between universes;
we learn something of Holger's journey when he visits the Old Phoenix in Anderson's A Midsummer Tempest;
we learn more in Harry Tutledove's "The Man Who Came Early," which ends with Holger re-entering the Old Phoenix;
a young woman who joins the staff of the Inn of the Worlds' End in a story by Neil Gaiman still works there in a story by Mike Carey.
Multi-authored inter-universal inns are good continuity venues, especially since van Rijn shows up in the Old Phoenix.
(I am stricken with a cold so please don't expect frequent posts, folks.)
2 comments:
It’s very important to make both characters and setting feel ‘ample’, not cardboard hoardings or something that only exists while the narrative focus is on them.
Kaor, Paul!
While I had, at first, thought Harry Turtledove's contribution to MULTIVERSE, "The Man Who Came Late," one of the better stories in that collection, reflection and comments by others convinced me it was not. Really, it was a sad little downer of a story. Alianora, her husband, and Holger were all far too sensible and reasonable.
It would have made for a more striking story if Holger Danske, after 25 or more years, had found Alianora when only one or two years had passed for her after THREE HEARTS AND THREE LIONS. Or if a similarly short time had passed for Holger, but Alianora had lived thru 25 years!
I think Anderson himself would have preferred one or the other of these alternatives.
Ad astra! Sean
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