At the beginning of this story, Martin Donner has a picture of his wife, Jeanne, with:
"...children in her arms..." (p. 31)
- whereas, later in this same story, they have only one still very young son, Jimmy.
The Donners' house has:
a stone fireplace probably built by Donner, Naysmith thinks;
on the mantelpiece, an old marble clock, brass candlesticks and a Lunar crystal;
on the walls, an antique hanging musket, animated films, engravings, a Rembrandt rabbi and a Constable landscape;
an anachronistic mahogany desk;
a console with a wide music selection;
bookshelves with microprint rolls and rebound volumes, including a much-used Shakespeare.
Rich details: Naysmith, a Brother of Donner, smiles at the Shakespeare. This quiet scene is very welcome especially since the narrative is about to launch its characters and us, its readers, into a standard fight and chase sequence.
1 comment:
Kaor, Paul!
Dang, I've read this story multiple times and I kept missing that small mistake Anderson made about "children." An editor really should have pointed it out before "UN Man" was pub.
Ad astra! Sean
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