(i) Poul Anderson's Nicholas van Rijn makes offerings to St Dismas.
(ii) Anderson's Dominic Flandry addresses his dead fiancee, who will later be canonized, but does not think that he receives an answer.
(iii) SM Stirling's Father Ignatius converses with an apparition of the Virgin Mary.
(iv) Characters in works by Anderson and Stirling meet and converse with gods and goddesses.
(v) CS Lewis' juvenile characters meet Aslan in Narnia and his adult hero, Ransom, is addressed by Maleldil in Perelandra.
(vi) James Blish's magicians meet Satan who has become God.
(vii) Stieg Larsson's Jan Bublanski thinks about life/talks to God in the back of a church.
(viii) Giovanni Guareschi's Don Camillo not only talks to the Lord in a church but also receives explicit replies! However, I think we understand that the replies are the promptings of Don Camillo's conscience, not a literal divine voice?
(ix) Graphic fantasies are too complicated to summarize here - although John Constantine (and see here), very familiar with demons, once meets the Good Shepherd!
(x) A cartoon that someone cut out and stuck on the notice board in the Lancaster University Religious Studies Department:
a man in pajamas kneels in prayer beside a bed;
a large bearded male figure wearing a horned helmet and holding a hammer hovers above the bed;
the man says, "Oh, I'm sorry, Thor. I thought that, when I said, God," I'd get...well you know...JEHOVAH!"


