Monday, 6 March 2017
None Better? II
First, The Lord Of The Rings and The King Of Ys have in common that each is a single long narrative usually published in more than one volume only for reasons of length. Thus, they are not really a trilogy and a tetralogy, respectively.
Secondly, both involve fantasy although to different extents. In Ys, the Gods remain off-stage although their effects are palpable.
Thirdly, each is an "end of an era" narrative:
the Elves withdraw from Middle Earth;
the Gods withdraw from Ys.
In fact, many periods begin and end in Ys:
Christianity grows;
Mithras, the Olympians and the Ysan Three withdraw from the world of men;
trans-Atlantic colonization is contemplated though not yet implemented;
the Roman Empire withdraws from Britannia and Gaul;
the fabulous city of Ys is destroyed;
the modern city of Quimper is built;
feudalism begins.
The Lord Of The Rings leads to the Fourth Age of Middle Earth, the Age of Men, whereas The King Of Ys leads to the Dark Ages, the Middle Ages and the modern age - as if everything leads to us. However, Poul Anderson also looks into the future where some timelines culminate in post-human intelligences indistinguishable from gods.
Monday, 12 August 2019
Middle Earth And The Technic History
Asimov famously created a humans-only galaxy in his Foundation series, then created the multi-species "Isaac's Universe" for other authors to set original stories in. In his Introduction to Volume Two, Asimov cites Tolkien as an unconscious inspiration because the latter's Middle Earth is a multi-species environment with:
human beings
elves
dwarfs
ents
wizards
hobbits
orcs/goblins
trolls
Tom Bombadil
Shelob
superwolves
supereagles
a superbear
Gollum
However, since Tolkien's Middle Earth history is a fantasy set on a single planet, a much more relevant possible source is Poul Anderson's History of Technic Civilization which is multi-planet sf with:
human beings
winged Ythrians
green Merseians
large Wodenites
small Cynthians
goblin-like Gorzuni
no-longer-human Kirkasanters -
- and many more.
Anderson, of course, also adapted Norse mythology, including elves, independently of Tolkien.
Tuesday, 16 August 2016
Anderson And Tolkien
whereas Tolkien's Lord of the Rings Trilogy is part of his Middle Earth series which recounts a fantastic past history of Earth, Poul and Karen Anderson's The King of Ys Tetralogy is one part of Poul Anderson's complete works which recount past and future histories in multiple timelines;
both The Lord of the Rings and The King of Ys explain how our prosaic present has followed from a fantastic past - Earth became round and the elves withdrew, Ys was inundated and its memory suppressed;
I have read ...Rings twice and ...Ys three or four times;
I prefer Anderson to Tolkien.
Sunday, 15 March 2020
Three Fictional Histories
Heinlein and Anderson achieve future historical continuity with very few cross-references, e.g.:
Pinero appears in "Lifeline" and is mentioned in Methuselah's Children;
Rhysling appears in "The Green Hills of Earth" and is mentioned in perhaps three other works (and also makes it into Anderson's Old Phoenix);
Anderson deploys a few surnames - Runeberg, Holm and Davisson in just two works each. (See Families In Future Histories.)
Nevertheless, both Heinlein and Anderson achieve the desired effect: credible fictional (future) histories.
Sunday, 2 April 2017
Apocrypha
And fictional histories have apocrypha:
(i) earlier versions of stories that have had to be revised to fit into the history;
(ii) stories that share background details but that remain inconsistent with the course of events in the history.
Larry Niven's Known Space History has two examples of (ii) and Anderson's Psychotechnic History has one, which I have discussed somewhere. It is about a guy who gets duplicated. Does anyone remember the title?
On (i), I have been told that, at one point in the Middle Earth History, a character narrating a story apologizes to some people who have read a different version of it. In Poul Anderson's The Earth Book Of Stormgate, the Avalonian editor, Hloch, notes that The Man Who Counts had been published in different places. It had indeed. And the author disliked the title, War Of The Wing Men.
Monday, 16 March 2020
Human Population Throughout The Technic History by Johan Ortiz
What this is
Where to begin?
The Time of Chaos
Assumptions regarding world population and growth rates in early Technic Era
Given the probability of large scale casualties from the climate crisis and wars, possibly even limited nuclear war, plus the expected lower birth rates at higher standards of living during the 2nd half of the 21st century, I’m going to assume a world population of 10 billion in 2100, somewhat down from UN estimates.The first colonies
The Polesotechnic league era
Break-up of the Commonwealth and The Times of Troubles
The Imperial Era
The Long night
Tuesday, 30 August 2016
Percheron Etc
"The animal was gigantic, a stallion the size of a Percheron but with more graceful build, sleek and black as polished midnight. It was not tethered, though an elaborate fringed pair of reins hung from a headstall chased with silver and arabesques. On its back was a saddle, high in pommel and cantle..." (p. 14)
Having googled "Percheron," I now understand the significance of a stallion the size of one.
Holger dons the armor and rides the horse. He seeks hospitality from an old woman called Gerd who sounds like a fairy tale witch. They speak in a language that he does not recognize but nevertheless understands. She claims to live "...by the edge of the world." (p. 18) That might be literally true.
If this is a flat Earth, then how did it come into existence? Cosmos-forming processes would have to be entirely different. The flat earth of Narnia was directly created, sung into existence, by Aslan. There are some parallels between Three Hearts And Three Lions and The Lion, the Witch And The Wardrobe - apart from a leonine element in both titles, which I have only just noticed. Tolkien elaborately explains how the directly created flat Middle Earth became our round Earth. I suppose that a flat Earth has a place in our collective imagination. In Anderson's The Broken Sword, a ship leaves Midgard and enters Jotunheim by sailing North.
Sunday, 29 October 2017
Tolkien, Stirling And Anderson
Tolkien knew how to create a myth of endings and farewells;
SM Stirling's Emberverse History is a sequel to Tolkien's Middle Earth History to the extent that some of Stirling's characters regard Tolkien's fictions as Histories and they also call their post-Change period the Fifth Age of Middle Earth;
Poul Anderson adapted Norse mythology as fiction contemporaneously with and independently of Tolkien -
like his contemporary, J.R.R. Tolkien, he is a significant successor to the Eddas, sagas and William Morris;
-copied from here.
Anderson was also a successor to several other very different authors as can be seen by reading the linked post.
See also None Better? II and Anderson And Tolkien.
Saturday, 8 June 2019
Middle Earth And The Technic History
See previous discussions here.
Two fictional histories about human beings interacting with other intelligent species: past fantasy and futuristic sf.
Tolkien's Middle Earth is undeniably longer and more complex than Poul Anderson's Technic History. However, this blog demonstrates that the Technic History is longer and more complex than many might think. Although I am not about to write it, one very long Wells-Stapledon model future historical volume could be created to record the entire History of Technic Civilization and its long aftermath and it should also become a very long screen series.
Tuesday, 25 July 2017
Powers
"'Their naked power, yes,' said Ransom. 'That is why they will work only through a man.'"
-CS Lewis, That Hideous Strength IN Lewis, The Cosmic Trilogy (London, 1990), pp. 349-753 AT Chapter 13, 5, p. 653.
"'...we have made the Sword for you, to sever their power and show humankind the truth of things. That much we can do in this turn of the Wheel, without breaking reality asunder with our contentions. All the rest is your burden.'"
-SM Stirling, The Sword Of The Lady (New York, 2010), Chapter Twenty-One, p. 653.
Merlin and Artos are human instruments of the Powers which must work through such an instrument if they are not to unmake Middle Earth or break reality.
Cosmic!
Tuesday, 29 July 2025
Gods And Men
Conan The Rebel, XV.
"'Two gods are in struggle. We mortals are not mere instruments - no, it is we who must win or lose by our own efforts, lest the universe be torn asunder as they wrestle...'" (p. 147)
Monday, 22 June 2020
Is Pan Dead?
Law and Chaos, which are in perpetual struggle, are:
primeval forces;
modes of existence;
or a terrestrial reflection of the spiritual conflict between heaven and hell? (p. 28)
Holger's guide, Hugi, identifies four sides, Heaven, Hell, Earth and the Middle World, adding that his people, the woods dwarfs, remain neutral. Human beings are the chief agents of Law on Earth although most do not realize this and some, witches, warlocks and other evildoers, have sold out to Chaos. A few nonhuman beings support Law although on the other side is the entire Middle World comprising realms like:
Faerie;
Trollheim;
the Giants, which are a creation of Chaos.
Human wars, as between the Holy Empire and the Saracens, help Chaos. Law means peace, order and liberty but the Middle Worlders work against this and try to extend their realm. The lands of men, comprising the Empire, the southern Saracen countries and lesser kingdoms, are to the west whereas the Middle World is to the east, its closest part being Faerie. Holger has arrived in a disputed borderland.
History:
there was a literal Fall;
then nearly everything was Chaos;
Chaos has been driven back;
when the Saviour lived, the darkness could not stand;
at that time, Pan died;
however, Chaos has rallied;
it prepares to strike back.
Pan imagery has revived on our Earth. CS Lewis cited the "Piper at the Gates of Dawn" chapter of The Wind In The Willows as a literary example of awe.
"Pan has taken their souls, and they stampede."
-Poul Anderson, A Midsummer Tempest (London, 1975), xxiv, p. 221.
Wednesday, 31 August 2016
Woods Dwarfs
This cover shows the scene that I am rereading at present.
In the Carolingian universe, woods dwarfs:
live in the enormous forest;
eat mushrooms, nuts, rabbits and squirrels;
have no magical powers;
do not fear iron, silver or holy symbols;
unlike Narnian or Middle Earth dwarfs, do not take sides in wars between other beings -
"'We'll ha' naught to do wi' the wars in this uneasy land,' said Hugi. 'We'll bide our ain lives and let Heaven, Hell, Earth, and the Middle World fight it oot as they will. And when yon proud lairds ha' laid each the other oot, stiff and stark, we'll still be here. A pox on 'em all.'" (p. 26)
In one of Aesop's Fables, a donkey carrying military supplies is advised to flee in order to avoid capture by the advancing enemy. However, when he is told that the enemy will probably not try to make him carry any more than he is now because he is already at his limit, he replies, "I'll stay where I am!" In an sf novel by Fred and Geoffrey Hoyle, factory workers asked how they feel about the prospect of aliens conquering Earth, reply that they will still have to work in the factories. (That shocked me when I read it. Then I saw their point.)
Saturday, 16 May 2026
Strange Dimensions
The Broken Sword, XXII.
En route to Jotunheim, Skafolc and Mananaan sail further than any mortal ship ever can over chill, dead water under stars, moon and aurora. I think that, like some lost sailors in Tolkien's Middle Earth History, they sail not around the curve of the earth but straight out from the earth.
"Skafloc thought this realm could not lie on earth at all, but in strange dimensions near the edge of everything, where creation plunged back into the Gap whence it had arisen. He had the notion that this was the Sea of Death on which he sailed, outward bound from the world of the living." (p. 156)
Maybe so but I am quite certain that Skafloc did not think of "dimensions"! This is sf terminology intruding into heroic fantasy.
CS Lewis, not as author but as fictional first person narrator, quotes an entirely fictitious seventeenth century writer, Natvilcius, who hypothesizes that an angelic or demonic body:
Sunday, 5 March 2017
None Better?
"...it's a great story, none better..."
-SM Stirling, The Protector's War (New York, 2006), Chapter Four, p. 117.
I do not share this "none better" evaluation of Tolkien. How good a book is is closely related to how often I want to reread it. I read The Lord Of The Rings once when at University and once again when the films came out. I do not know how often I have reread two major series by Poul Anderson.
Tolkien's major body of work is the History of Middle Earth;
Anderson's Time Patrol series is the history of mankind as seen by time travelers;
Anderson's History of Technic Civilization is a "future history."
I recommend Anderson's The Earth Book Of Stormgate, a single volume collecting twelve works including one novel with additional introductory passages and covering three periods of the Technic History:
the Grand Survey;
the Polesotechnic League;
the early Terran Empire.
The introductory passages are based on The People Of The Wind and the Earth Book includes stories about Nicholas van Rijn, David Falkayn and Adzel, all of whom appear in other volumes of the History. Thus, the Earth Book is a massive single volume that is also fully integrated into a much longer fictional history. It deserves both wider recognition and screen adaptation.
Wednesday, 23 November 2016
Fictional Histories And Poul Anderson
Future histories are one kind of fictional history. Others include:
JRR Tolkien's History of Middle Earth;
CS Lewis' Chronicles of Narnia;
Geoffrey of Monmouth's History of the Kings of Britain.
Not unrelated to the works of Tolkien, a Catholic, and Lewis, an Anglican, is the Bible, a multi-generational narrative comprising every kind of literature including:
myths;
genealogies;
theologically interpreted histories;
historical fictions (Ruth, Job and Jonah).
Also relevant is John Milton's theological trilogy:
Paradise Lost;
Paradise Regained;
Samson Agonistes.
With the passage of time, a future history becomes an alternative history. Also, an alternative historical series can become a fictional history. Thus, SM Stirling presents:
three novels about the gradual conquest of Earth by the Draka;
one novel about interstellar and inter-cosmic conflicts involving the Draka -
and:
a trilogy about Nantucket translated to an alternative timeline;
a series about the Earth that Nantucket left behind.
Of the future history series that I have read, I think that Poul Anderson's History of Technic Civilization is the most substantial and comprehensive. We should always remember the original model:
Heinlein's Future History
I A collection about technological advances, eventually including interplanetary travel.
II A collection about the colonization and exploitation of the Solar System.
III A novel about the revolutionary overthrow of an American theocracy and two stories about different aspects of the post-revolutionary society, including the resumption of space travel.
IV A novel about a crisis in the post-revolutionary society.
V Two stories about a lost interstellar ship mentioned in Vol IV.
Some other future histories can be summarized briefly:
Anderson's Psychotechnic History
UN
Solar Union
Stellar Union
Galactic civilization (query)
Anderson's Technic History
interplanetary and interstellar exploration
Solar Commonwealth and Polesotechnic League
Time of Troubles
Terran Empire
Long Night
civilizations in several spiral arms
a Galactic civilization
Jerry Pournelle's CoDominium Future History
the CoDominuim
the First and Second Empire of Man
James Blish's Cities In Flight
a novel about the discoveries necessary for interstellar travel
two volumes about Okie civilization
a novel about the post-Okie universe
Larry Niven's Known Space Future History
Too complicated to summarize briefly?
Thursday, 25 May 2017
Contact Re-Established (Out Of The Silent City)
Poul Anderson and JRR Tolkien based fantasies on Norse mythology but Anderson also wrote in several other genres, mainly hard sf. Birmingham parks have been renamed the Shire Country Park after the Shire in Tolkien's Middle Earth. (Also, a town in Sicily has renamed itself after a fictional one. See here.)
Dwellers In Space
(i) Olaf Stapledon's pre-galactic nebulae.
(ii) Fred Hoyle's intelligent gas clouds.
(iii) CS Lewis' eldila.
(iv) James Blish's Angels.
(v) Poul Anderson's Aurigeans.
(vi) Larry Niven's Outsiders.
(i) and (ii) are gas.
(iii) are "hypersomatic."
(iv) and (v) are energy.
(vi) are solid.
Often, Anderson alone covers every option but sometimes, as here, he does it in cahoots with his illustrious colleagues. What authors' names to conjure with!
In Anderson's First Dominic Flandry Novel And Blish's Second Jack Loftus Novel
(i) Flandry visits Merseia while the Rhoidhunate plots to disarm Terra.
Jack visits Malis just as the Hegemony decides to annex Earth.
(ii) Flandry and his superior meet the Protector of the Roidhun's Council.
Jack and his superior meet the Hegemon of Malis.
(iii) Abrams and Flandry spy on Merseia.
An Angel concealed in the Earth ship spies on the Hegemony.
(iv) Merseians are less rule-bound than human beings.
Malans, even the Hegemon, are entirely ruled by their machine-interpreted laws.
(v) Flandry and one companion flee through hyperspace.
Jack and his two companions flee on the Haertel overdrive.
(vi) Land- and sea-dwelling Starkadians are natural enemies like men and wolves.
Land- and sea-dwelling Terrestrials (men and dolphins) decide to live in amity with each other and thus become able to live in amity with extraterrestrials.
(vii) Blish, like Anderson in other works, discusses the issue of freedom in future high-energy civilizations.
Dig it. Anderson fans, read Blish!
Jack Loftus heard not, as I had thought, the music of the spheres but a "dismal universal hiss," not quite the same thing! This will lead to reflections on:
chaos in Milton, Heinlein, Anderson and Alan Moore;
Milton as quoted by Lewis, Pullman and Blish.
Laters.
Saturday, 27 November 2021
Future Historiography
The Earth Book Of Stormgate collects twelve works by Poul Anderson with new introductions based on the background of his novel, The People Of The Wind. Leaving the new introductions in place, make four changes to the Earth Book:
(i) remove the last five works from this volume;
(ii) add the previously uncollected "The Saturn Game" at the very beginning;
(iii) add the first two of the three David Falkayn stories from The Trouble Twisters in the middle;
(iv) add the first of the three Nicholas van Rijn stories from Trader To The Stars at the end.
You have now transformed the Earth Book into The Technic Civilization Saga, Volume I (of VII), The Van Rijn Method. The Earth Book, which need not be republished as such, was like a first draft of the first section of the Technic History.
Of the five remaining Earth Book installments, three are among the seven works collected in Volume II, David Falkayn: Star Trader, and two are among the six collected in Volume III, Rise Of The Terran Empire.
The mid-point of Volume III is a peak of future historiography because that is the moment when Hloch, compiler of the Earth Book, hands the baton to Donvar Ayeghen, President of the Galactic Archaeological Society. Ayeghen introduces "The Star Plunderer," (1952) another of the very early stories that was not originally part of a future history series.
All of this is a far cry from Jim Ching struggling with tensor calculus in the fifth story in Volume I. A future history presents individual perspectives as well as millennial narratives.
Tuesday, 30 August 2016
A Few More Details
Mother Gerd has a hook nose, an iron pot and a black cat called "Grimalkin" and even claims to be a witch. She refers to:
"'...wonder-working relics of some saint, that do their miracles alike for Christians or paynim...'" (p. 19)
we have met "paynim" before, e.g., in The Shield Of Time, but perhaps it was time to google it. I had not realized that it was derived, via Anglo-Norman and Old French, from Latin paganus.
She says that dwellers in the marchland need magical "'...protection against the Middle World powers...'" (ibid.)
Thus, this "Middle World" seems to be different from Midgard or Middle Earth.
"This house, and the carline who took his knightly accoutrements as a matter of course..." (p. 20)
An old woman? Oh, so it refers to Mother Gerd.
Holger considers time travel but cannot make sense of Gerd's references to Fairies. The marches are disputed between the Middle World/Faerie and the Holy Empire. And there is another human group: the Saracens. The Christians claim that Mahound is an evil spirit and maybe he is here.
Wednesday, 14 January 2015
Fictional Cosmologies II
I argued that Olaf Stapledon and JRR Tolkien are polar opposites whereas Poul Anderson is bipolar - although I did not phrase it like that. I could have added that he is also tropical and equatorial. His works stretch along a line of longitude between the poles of heroic fantasy and cosmological sf:
heroic fantasy
historical fantasy
historical fiction
historical fiction with elements of fantasy
historical science fiction
one long historical/contemporary/futuristic novel
alternative history fiction
a contemporary fantasy novel
a contemporary detective trilogy
near future sf
future histories
cosmological sf
A novel with gods as characters is fantasy whereas a historical novel in which gods are invoked and magic sometimes works involves "elements of fantasy." Tolkien's Lord Of The Rings Trilogy is one narrative in three volumes. Poul and Karen Anderson's King Of Ys Tetralogy is one narrative in four volumes. These works are comparable. Tolkien describes the end of the Third Age of Middle-earth leading to the Age of Men and eventually to the Anglo-Saxon period and the present day. The Andersons describe the end of the city of Ys, then of the Roman Empire, and the beginning of the Dark Ages which lead, as we know, to the Middle Ages, then to the modern period and hopefully to a future on and off Earth.
On top of all that, alternative histories literally broaden the temporal perspective.

















