See Altaian Night.
Points missed in the earlier post:
"darkened city" is an evocative phrase (see Darkness And A City);
the camp fires stretch not to the horizon but to the lake Ozero Rurik which in turn stretches "...in blackness and multiple moonshivers, out to an unseen horizon..." (p. 354);
the two rivers are called "Zeya" and "Talyma" and resemble "...ribbons of mercury..." (ibid.);
the meteors come from the rings which raises the question: how long will the rings last?;
I noted that moons- and star-light make headlights on vehicles unnecessary so presumably that is somewhere in the text? (Later: p. 359.)
Next comes a dramatic escape sequence which we have to accept as a feature of this kind of fiction.
1 comment:
Kaor, Paul!
I don't mind "a dramatic escape sequence" when well done in a carefully written and logical story of the kind written by Poul Anderson. I think a big part of the drama came from the surprise. even shock of Oleg Khan and his men as Flandry dropped the mask of being a fatuous, easily deceived bumbler and showed how ruthlessly effective, able, and decisive he actually was.
Ad astra! Sean
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