Aycharaych In Conversation

We see Aycharaych of Chereion in conversation with Chunderban Desai once and with Dominic Flandry twice. He lies to Desai, claiming to be from a planet called Jean-Baptiste in Sector Aldebaran of the Terran Empire. Despite this dishonesty, we have no reason to doubt his stated interest in humanity:

he knows of the Indian Mutiny, the Taiping Rebellion and Christianity;

he has studied Aeschlyus, Li Po, Shakespeare, Sturgeon, Mikhailov, Bach, Richard Strauss, Rembrandt and Hiroshige;

he borrows and reads a volume of Tagore while waiting in Desai's office.

Fictitious characters are usually fictions to each other. Anyone can refer to Sherlock Holmes and many do (although, in the case of Anderson's Time Patrolmen, Holmes is not a fiction). We have to accept that, in the Technic civilization timeline, there was an American science fiction writer called Theodore Sturgeon but not one called Poul Anderson. (Beowulf Shaeffer in Larry Niven's Known Space future history refers to Heinlein and also to Carter (?). Known Space does have a John Carter on Mars, obviously an ironic reference to ERB's Warlord of Mars.)

Aycharaych tells the philistine Flandry that Johann Strauss is not to be compared to Richard who is more misunderstood than Xingu. He admires an orchid seen against a null-gee sphere of water with the universe beyond:

"'Black against the quicksilver water globe...the universe black and cold against both. A beautiful arrangement, and with that touch of horror necessary to the highest art.'"
-Poul Anderson, Sir Dominic Flandry: The Last Knight Of Terra (New York, 2012), p. 162.

I do not agree about the horror but thus Aycharaych rationalizes his art "'...of espionage and sabotage, whose materials are living beings...'" (p. 391)

- to quote Desai in conversation with Flandry.

By calling the violet flower black, Aycharaych lets slip that Chereion's sun "'...is cooler and redder than [Flandry's].'" (p. 162)