(i) An Asimov computer in hyperspace reverses entropy. See here.
(ii) In Poul Anderson's Genesis, a planetary inorganic intelligence can "emulate" historical periods, alternative histories and fantasy realms. An "emulation" is a simulation containing conscious programs erroneously believing that they are human beings with material bodies inhabiting the simulated/emulated environment.
(iii) In John C. Wright's The Golden Age, although the AIs do not have time travel, they can in a very real sense invite the past and future to a festival: AI constructs of historical figures and of inhabitants of projected future histories. Thus, the latter are conscious fictional characters - who might even believe that they are real time travellers?
The mind most definitely boggles.
4 comments:
"Take the red pill...."
Kaor, Paul!
I'm VERY glad you found John Wright's THE GOLDEN AGE so interesting and worthy of comment. I was a bit hesitant recommending the book to you.
Sean
Paul:
The notion of "conscious programs erroneously believing that they are human beings with material bodies inhabiting the simulated/emulated environment" reminded me of what happened in at least one of the *Star Trek: The Next Generation* episodes set in the ship's holodeck.
Captain Picard was enjoying a holodeck experience in which he played the role of a detective from a 1930s novel, when outside interference caused those characters who were produced by the holodeck to develop a limited degree of artificial intelligence. They became AWARE of the fact that they were characters in a computer program, playing out a story.
There's a scene at the end with one of them, speaking to Picard, who mentions that he has a wife and child, and wonders what happens not just to him but to them when the program is shut down. It raised the question: if the programmed character has become self-aware, how is shutting him down different from KILLING him?
Picard was clearly disturbed by that thought.
DAvid,
A moral question that Asimov ignores in his Robot stories.
Paul.
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