Thursday, 4 August 2016

Beginnings And Later Developments

Those who go before can set the terms of reference. Thus:

Robert Heinlein wrote the Future History;
several of Heinlein's successors have each written a future history;
one of his successors, Poul Anderson, wrote several future histories.

Heinlein wrote one work about magic as technology;
on this theme, Anderson wrote a series that was collected, acquired a sequel and became part of a longer sequence about alternative histories.

Before Heinlein, Wells wrote about the Time Traveler and his Time Machine;
many of Wells' successors, including Heinlein and Anderson, have written individual works about time travelers and their time machines;
Anderson also wrote a series about an organization of time travelers regularly using many time machines.

We find:

illustrious precursors, Mary Shelley (see below), Wells and Heinlein;
many successors;
remarkable contributions by Anderson, combining quantity with quality;
later works by Anderson breaking new ground on the theme of post-human inorganic intelligence.

In fact, Anderson's culminating work, Genesis, revisits Mary Shelley's Frankenstein theme twice:

Might human creations replace humanity?;
Would it be right to create human life?

Ironically, the post-human intelligences must ask the latter question!

Event Police II

To recapitulate from here:

James Blish's organization called simply "the Service" is not a Thought Police but an Event Police without being an Assassins' Guild - although it might become a Traitors' Guild (Quincunx, p. 97);

Poul Anderson's Time Patrol can also be described as an Event Police and might become an Assassin's Guild.

To complete the picture:

although Blish's flying "Okie" cities have escaped from the thought police of the Bureaucratic State, one Okie mayor is prepared to use a local Assassins' Guild "'...for the survival of the city...'" (Cities In Flight, p. 268);

as Sean M. Brooks points out, there is mention of assassins' guilds in some of Anderson's works;

after John Carter overthrew the religion of Issus and became Warlord of Mars, his next task was to wage war on the ubiquitous Assassins' Guilds.

POLITICAL LEGITIMACY IN THE THOUGHT OF POUL ANDERSON, by Sean M. Brooks

In this essay I wish to summarize, quote, and comment on what I found in some of the works of Poul Anderson on the issue of political legitimacy. One very important point to be found in his thought where it touches on politics is his insistence on the need for the state, any state, to be LEGITIMATE, for it to believe itself having the right to govern and for its people to also believe it is legitimate.  And it does not matter what form, republic or monarchy (or any other form), a state has--it still needs to be regarded as legitimate if it is to govern reasonably well (or at least not too badly).

In THE REBEL WORLDS we see Dominic Flandry doing his best to ruin the revolt of an Imperial admiral, Hugh McCormac, against the reigning Emperor, Josip III.  And this despite McCormac being a vastly better and more able man than Josip.  In Chapter XV we see Flandry explaining to McCormac himself why a successful usurpation would have been disastrous for the Empire: "You'd have destroyed the principle of legitimacy.  The Empire will outlive Josip.  Its powerful vested interests, its cautious bureaucrats, its size and inertia, will keep him from doing enormous harm.  But if you took the throne by force, why shouldn't another discontented admiral do the same in another generation?  And another and another, till civil wars rip the Empire to shreds.  Till the Merseians come in, and the barbarians.  You yourself hired barbarians to fight Terrans, McCormac.  No odds whether or not you took precautions, the truth remains that you brought them in, and sooner or later we'll get a rebel who doesn't mind conceding them territory.  And the Long Night falls."

I quoted the bit about the principle of legitimacy to Poul Anderson in my first letter to him and asked why Flandry later supported a usurper who had seized the throne by force.  In a letter dated 8 May 1978 Anderson replied: "As a matter of fact, you are not the first to point out the inconsistency in Flandry's remarks about legitimacy as the basic necessity of government, in THE REBEL WORLDS,  and the fact that later he supported Hans Molitor, whose only claim to the throne was sheer force.  Perhaps I should have spelled out in more detail what was left implicit: that Flandry was making the best of a bad situation."

An admirably clear statement of Flandry's views about legitimacy can be found nearly forty years later in Chapter VI of A STONE IN HEAVEN: "Once as a young fellow I found myself supporting the abominable Josip against McCormac--Remember McCormac's Rebellion?  He was infinitely the better man.  Anybody would have been.  But Josip was the legitimate Emperor; and legitimacy is the root and branch of government.  How else, in spite of the cruelties and extortions and ghastly mistakes it's bound to perpetrate--how else, by what right, can it command loyalty?  If it is not the servant of Law, then it is nothing but a temporary convenience at best.  At worse, it's raw force."

As a conservative/libertarian Poul Anderson was very skeptical of the state and frequently warned in his works of how easily tyranny can arise.  And he declared democracies were more prone in some ways to becoming tyrannical than other forms of government.  A good example of one of his characters expressing libertarian skepticism about the state or a society can be found in Chapter XXI of OPERATION CHAOS,  Steven Matuchek speaking: "I wouldn't think much of a youngster who never felt an urge to kick the God of Things As They Are in his fat belly.  It's too bad that most people lose it as they get old and fat themselves.  The Establishment is often unendurably smug and stupid, the hands it folds so piously are often bloodstained."  I immediately thought of "legalized" abortion as one of those bloody horrors we tolerate too easily and smugly.

However, Poul Anderson was also a conservative and realist who knew the state was a necessity, as this additional quote from the same Chapter XXI of OPERATION CHAOS shows: "And yet...and yet...it's the only thing between us and the Dark Ages that'd have to intervene before another and probably worse Establishment could arise to restore order.  And don't kid yourself that none would.  Freedom is a fine thing until it becomes somebody else's freedom to enter your house, kill, rob, rape, and enslave the people you care about.  Then you'll accept any man on horseback who promises to bring some predictability back into life, and you yourself will give him his saber and knout."  In other words, every state has bloody origins or will have blood on its hands. And I argue that one means for any state becoming less tyrannical is for it to become accepted as legitimate.

In the Introduction he wrote for the Gregg Press (1978) edition of THE LONG WAY HOME, one of his earlier novels, Poul Anderson said on page v: "You'll note where a born-and-bred slave, intelligent and well-educated, argues in favor of slavery as an institution with the shocked hero.  I intended the incident as a touch of character and background.  After all, people usually do support the regimes under which they live, if only passively.  No government which lacked that kind of acceptance would last a day.  It is a sad commentary on our species--a commentary I thought I was making--that by and large, the most monstrous tyrannies have been endured, yes, excused by their most immediate victims."  The points I'm stressing being how that ACCEPTANCE fits in with what I quoted from OPERATION CHAOS and how it's a necessary condition before any government can survive and be thought legitimate.  I want to prevent a possible misunderstanding about THE LONG WAY HOME: the regime ruling Earth in that book, the Technon, is NOT that bad.  It compares favorably to many actually existing regimes in our real world.

It's my belief that what matters is whether a government rules not too intolerably badly, more or less respects the rights of all its people, and accepts limitations on its powers, not what form it has.  If a republic or monarchy is accepted by its people as rightful and governs not too badly, then I have to say that kind of government is legitimate for that nation. Which means I disagree with dogmatists who rigidly insist that only ONE kind of government is right for everybody, for every nation.  And Poul Anderson would agree with me as this additional bit quoted from his letter of 8 May 1978 shows: "...I've long felt that legitimacy is the basic problem of any government and demand ["insist" might have been a better word, SMB] upon it.  Legitimacy can have any number of sources in different societies, such as tradition, religion, or heredity; in our country [the USA],  the Declaration [of Independence] and the Preamble [to the US Constitution] spell out  quite explicitly the basis on which the government claims its own rights.  But what does one do when this set of principles is no longer taken into account?  I doubt that much is possible except supporting whatever strong-arm contender seems likeliest to give the people a breathing spell."

In his letter of 31 December 1978, Poul Anderson wrote to me discussing, among other things, responses to my comments and questions in a letter I had written asking why so many in the Flandry stories despised (somewhat unfairly, in my opinion) the Terran Empire.  Part of his reply was a summarizing of the American theory of legitimacy in greater detail: "Perhaps the most succinct formulation is in the Declaration of Independence--though it takes for granted a contractual theory of legitimacy, whereas in fact governments have claimed legitimacy on many different bases.  The ultimate point is that most people will accept their government as rightful, and be prepared to make great sacrifices for it, as long as they perceive it as serving--however imperfectly--the larger interests of its society.  When it ceases to do that, it loses all claim on their loyalty, and any service it gets is mostly from expediency or, still more, fear."

I discussed the Chinese Confucian theory of legitimacy, the Mandate of Heaven, in a later letter (dated 18 November 1979)  to Poul Anderson, who responded (21 November 1979) that he was aware of the Chinese theory of legitimacy.  Anderson said that the Maoist conquest of mainland China fitted the Mandate of Heaven pattern in many ways, despite the Communists denying that and trying (for many years, SMB) to "scrub" (PA's term) Confucius from the culture. He even wondered if, even then (about 1979), the  Mandate of Heaven theory was not yet dead.  I mentioned the Confucian theory of legitimacy to give another real world example of a theory of rightful government.  Only time will tell if the old Chinese theory of legitimacy is dead or not.

Poul Anderson was a masterful writer deeply knowledgeable not only in the sciences but also in history and philosophy.  All of which gives unusual depth and  nuance to his works. Who were some of the saints and philosophers who helped to shape his beliefs about history?  To answer that question I'll again quote from his letter of 31 December 1978: "Turning to less profound matters, you ask why my imaginary Terran Empire is so despised by so many characters in the stories.  To explain in detail would require a book on the philosophy of history, with references to authors as diverse as St. Thomas Aquinas, Rousseau, Locke, Toynbee, Voegelin...well, the list alone would take longer to write down than I have time for." Anderson would soon include the work of John K. Hord as a major influence shaping his philosophy of history, especially as regards how civilizations rose and fell (see Anderson's article: "Concerning Future Histories," BULLETIN OF THE SCIENCE FICTION WRITERS OF AMERICA, Fall 1979, pages 10-11).

(I have argued with Poul Anderson that he was sometimes too hard on the Terran Empire.  I gave arguments  in others of my letters for believing it was not as bad as some of his characters thought it was.  I wrote that compared to many actually existing regimes, the Empire looks far better, even very GOOD, compared to them.)

I must urge readers not to be deceived by my ponderous commentary on some of the works of Poul Anderson--they are FUN to read, well written, and with very plausibly described backgrounds and character development.  Anderson never let his deep and learned interest in philosophy and history to get in the way of what he modestly called his primary job: telling stories readers will enjoy and want to read and reread.

Wednesday, 3 August 2016

Event Police

In Poul Anderson's Time Patrol series, people from our future can travel into their past, therefore the Time Patrol protects known past events. In James Blish's "Beep"/The Quincunx Of Time, an organization called the Service receives messages from its future, therefore that organization protects known future events. One Service agents says:

"'...the Service is in no sense a thought police. We're interested only in acts. We're an Event Police.'"
-James Blish, The Quincunx Of Time (New York, 1983), p. 106.

The Time Patrol is another Event Police.

In the world-wide Bureaucratic State of Blish's Cities In Flight:

"The omnipresent thought police were instructed in the formulae of ballistics and other disciplines of astronautics, and could detect such work - Unearthly Activities, it was called - long before it might have reached the proving-stand stage."
-James Blish, Cities In Flight (London, 1981), p. 238.

Thus:

George Orwell's dystopia, 1984, introduced the Thought Police who denied the reality of the stellar universe;
Blish's "omnipresent thought police" suppressed space travel;
Blish's "Event Police" opened up intergalactic expansion;
Anderson's Time Patrol is comparable to Blish's "Event Police."

Blish found two creative uses for Orwell's phrase, "Thought Police." We are surprised when we realize that "the Service" is not an abbreviation for any such phrase as "Secret Service."

The Service monopolizes not only reception but also transmission of messages from the future and therfore enforces this rule:

"'The date of death of a sentient entity must never be mentioned in a Dirac 'cast.'" (p. 110)

A Service agent reflects that:

"An Event Police might have its justifications; but an Assassins' Guild, none." (ibid.)

But is the Time Patrol an Assassins's Guild?

Manse Everard is prepared to contemplate the assassination of a man who has become a personal causal nexus;

in any case, the Patrol protects a history that is full of murders, assassinations, executions, wars, massacres and pogroms.

By contrast, the future protected by the Service is increasingly utopian I think because of a circular causality paradox:

the Service will receive a message describing a massacre only if such a message is transmitted;
such a message will be transmitted only if a massacre occurs;
a massacre will occur only if the Service has caused it;
the Service will cause a massacre only if (i) the organization has received a message describing the massacre and (ii) Service members are morally capable of causing a massacre;
however, Service members are not morally capable of this;
therefore, no such message is ever received.

If the Merseians or the Draka monopolized the Dirac transmitter, then they would use it to conquer the galaxy.

Time Crime

How does anyone become a "time criminal"? You have to live in a universe where:

time travel happens;
changing the past is possible;
there is a law against it.

In the Time Patrol timeline, future civilizations that send expeditions into the past are bound by laws enforced by the Time Patrol. In those civilizations, the Patrol operates openly whereas, in earlier periods, it had to disguise itself as firms like Dalhousie & Roberts or Engineering Studies Co. Imagine:

finding the Time Patrol in the telephone directory;
visiting the Patrol's city center offices;
maybe working in those offices in an administrative post;
applying to join the Patrol and train at its Academy in the American Oligocene.

Even as a Patrol agent, you would probably work in your own milieu without regular access to a time machine although you would holiday at places like the Pleistocene Lodge.

A time crime may or may not be similar to an ordinary crime, e.g., to assassinate the young Julius Caesar or to prevent his parents from meeting would both be a time crime - effectively the same crime: trying to change history in a particular way.

If I were in the Time Patrol timeline and were able to prevent the Holocaust, then I would feel obliged to do so. I do not believe the Patrol propaganda that I would thereby prevent my family and friends from ever having existed - although I would deprive myself of access to them.

SM Stirling's William Walker is a murderer but not a time criminal.

William Walker, Time Criminal

William Walker in SM Stirling's Island In The Sea Of Time (New York, 1998) is like a time criminal in Poul Anderson's Time Patrol series. Operating in 1250 B.C., Walker, if he succeeds, will soon have changed the course of world events so completely that he will no longer be living in anything like the ancient history of our Earth. It will be a whole new world with an unpredictable future. His house in the newly built town of Walkerburg has:

Franklin stoves;
sanded split log floors with rugs;
walls made straight with plumbing lines;
upper floors and staircases;
hinged doors;
glass-chimney oil lamps;
molded wax candles;
"'...like the palaces of the gods...'" (p. 415)

Slaves work the cornfields and meadows.

Walker reflects:

"The seed kernel of an empire. Archaeologists may dig it up someday. The place where the dynasty that ruled the world for a thousand years was born. If things went well, he'd move somewhere more convenient in a couple of years - the site of London, probably - but this was the first ground that had been his." (p. 447)

There will be no Londinium/London but instead an earlier city named after Walker. In the absence of a Time Patrol, it is to be hoped that the Nantucketer expeditionary force is going to foil his schemes.

A Little Or A Lot Of Latin Lit.

We have found quite a lot of Latin in Poul Anderson's works from "Delenda Est" to "Timeo Danaos et dona ferentes." (See here.) We have even been told that Falkayn quoted Flecker in Latin translation but have had to do the translating ourselves. See here.

In SM Stirling's Island In The Sea Of Time (New York, 1998), William Walker pats the barrel of a cannon and says, "'Ultima regio regnum,'" (p. 442) translating this phrase as "'The last argument of kings.'" (ibid.)

I think that the phrase should read: "Ultima regio regum." "Regnum" is a noun meaning "kingly government; kingship; royal power; monarchy," whereas "regum" is the genitive plural of "rex," a king, thus meaning "of kings." "Regio" means a boundary rather than an argument.

I speculated here about how Walker would wind up. Here is another speculation: will McAndrews who was persuaded to join Walker switch his loyalty back to Nantucket? He can clearly see that Walker is doing no good.

Tuesday, 2 August 2016

Titles

How can the the title of a novel convey that the book is science fiction and, if appropriate, that it is part of a series while also avoiding cliches or confusions with other titles? The British edition of James Blish's The Triumph Of Time had to be re-entitled, as A Clash Of Cymbals, to avoid confusion with Brian Aldiss' The Canopy Of Time and even then I knew someone who did confuse them.

"Time" is a frequent word in sf titles, and not necessarily in time travel fiction, e.g., Anderson's "The Horn of Time the Hunter." (And see here.) Anderson's The Corridors Of Time is appropriate and evocative and not only because there are literal corridors through time in the novel. See here. Does remembering your childhood feel like peering down a long corridor?

Andre Norton's The Crossroads Of Time evokes choices, decisions and historical turning points and implies the question: could there be a literal junction in the temporal dimension? Time is abstract but we like to compare it to a medium like water. Thus, I am currently reading Volume I of SM Stirling's time travel/alternative history trilogy:

Island In the Sea Of Time
Against The Tide Of Years
On The Oceans Of Eternity

"Against the tide of years" sounds like growing old. "On the oceans of eternity" sounds like realizing that a single life is short compared with everything before and after it.

Gregory Benford's Galactic Center Saga comprises "universe as water" titles:

Differences

It is commonplace in fiction that villainous characters include those who are unscrupulous enough to torture for information or sadistic enough to torture for pleasure. Authors differ as to how much information they impart about the details of torture. (Too much would be unacceptable.) Poul Anderson and SM Stirling differ in this respect. We are left in no doubt about the inclinations or practices of Count Ignatieff, some of the Draka - or Alice Hong in Island In The Sea Of Time (New York, 1998).

I will say something now in case it becomes relevant later. In Island..., our main villain, William Walker, reflects that:

"...he wasn't what you'd call a squeamish man, but there were times when Hong's kid-in-a-candy-store approach to torture made him a little uneasy, not to mention this cult she'd started, with herself as the avatar of the Lady of Pain...." (p. 434)

Is this a first intimation that Walker himself will come to grief in such a way during a power struggle later in the narrative? This is a traditional way of offing villains.

I would not wish even on Walker any of the suffering that he is happy to inflict or let Hong inflict on others - but maybe it would be appropriate for him to experience the mental suffering of thinking that he was going to be treated thus? Unpleasant thoughts but such things happen in reality so they should be reflected in fiction.

Comparing A Trilogy, A Diptych And A Novel

CS Lewis' trilogy, set on Mars, Venus and Earth, features the creation of a new human race on Venus. SM Stirling's diptych, set on Venus and Mars, is called "The Lords of Creation." These are similarities. However, as I understand it, Stirling's "Lords of Creation" are powerful beings who terraformed Venus and Mars, then populated them with human beings that had already evolved on Earth.

Thus, these Lords did not face the moral question: is it right to create self-conscious beings who can suffer and will die? Was the (presumed) Creator right to create humanity? If we gained that power, would we be right to exercise it? This question was faced by Mary Shelley's Victor Frankenstein and by the post-human inorganic presiding intelligence of Earth in Poul Anderson's Genesis. Thus, Mary Shelley wrote the first science fiction novel and Anderson wrote a culminating sf novel on the Frankenstein theme.

I am still reading Stirling's Island in The Sea Of Time but have been diverted by theological questions raised by his characters. Such questions always invite comparison with answers suggested by other authors.