Wednesday, 22 March 2017
Slaves And Immortals
slavery in the Roman Empire, the Terran Empire, the Confederate States and the Draka Domination;
parallels with Neil Gaiman;
quotations from James Elroy Flecker.
One work, The Sandman: The Wake, unites these themes:
it is written by Gaiman;
it begins by quoting Flecker and draws imagery from this poem;
in its Epilogue, a black American woman does not understand why her British boyfriend continually apologizes to her for the slave trade - she does not know that he is an immortal and was a slaver.
Immortals interact with Southern States slavery in Poul Anderson's The Boat Of A Million Years. Boat is historical and speculative sf prose whereas Sandman is graphic fantasy. The Egyptian sun god is real in Sandman. Anderson's few immortals are mutants whereas Gaiman's single immortal has made a one-sided deal with Death just as Death's younger brother, Dream, has made a fairer deal with another Englishman, William Shakespeare, who wrote A Midsummer Night's Dream and The Tempest for Dream. Anderson wrote A Midsummer Tempest.
There are two kinds of fictional immortals: those who must move and change their identity every few decades to conceal their immortality (vampires are a sub-set) and those who can live openly in the future. Needless to say, the works of Robert Heinlein and Poul Anderson include both kinds.