Sunday, 27 December 2020
Coya
Tongues Of Angels II
Tongues Of Angels
For Alan Moore, see:
Valenderay And Merseia
In Anderson's "Lodestar," Epsilon Aurigae, Sirius B and Valenderay are listed as famous supernovae.
In his The People Of The Wind, the Terran High Admiral's super-dreadnaught flagship is called Valenderay.
Part of the pleasure of reading a future history series is recognition of such background references to events in earlier installments.
More significant than Valenderay is Merseia:
needing League help in "Day of Burning";
discontented Merseians in Mirkheim;
the Merseian Rhoidunate growing in The People Of The Wind;
the Roidhunate a major threat to other civilizations in the Flandry series;
however, some Merseians have settled peacefully on the human colony planet, Dennitza, in the Flandry novel, A Knight Of Ghosts And Shadows.
Languages
Hirharouk speaks fluent Anglic, using a vocalizer to get the sounds right. Van Rijn replies in Planha. How many languages does van Rijn speak? The answer is in Mirkheim and somewhere on the blog.
Anyone who suddenly speaks in a language unknown to some or all of his hearers displays knowledge in a context where knowledge is power or, at least, communication is an essential part of power. No wonder magicians casting spells and priests reciting liturgies were regarded with awe. Van Rijn's command of alien languages is entirely pragmatic but he is able to translate Shakespeare etc to deliver an inspiring speech on Diomedes.
I cannot speak even one other language fluently. Once, when I saw someone wearing the Esperanto badge, I managed -
Saturday, 26 December 2020
Coya Conyon
Now that we are back in Coya Conyon's point of view (pov), I want stay in it as long as possible. I sympathize with Coya when she notices a value difference between her generation from that of her grandfather. During my childhood and teens in the fifties and sixties, our elders made a big deal of something called a "generation gap" although, later, in the late seventies and the eighties, I never experienced such a gap with my daughter - who was brought up completely differently. I once heard the suggestion that the only generation gap in history was between those born before or after the atom bomb. Van Rijn and Coya are born at different stages in the history of the Polesotechnic League. He saw freedom. She sees monopolization.
It is not completely accurate (see previous post) that Coya remains the pov character throughout the rest of the narrative. On pp. 379-280, van Rijn and Hirharouk argue although their confrontation is described from neither of their povs. The omniscient narrator steps in again. The Ythrian captain's large, golden eyes and the Master Merchant's small, black ones give look for look but the reader does not look out through either of these sets of eyes. Then Coya enters her grandfather's stateroom and regards them both. We are back in her pov to which we will probably return some time tomoz.
Fair winds forever.
Ten Years Later II
After the double space between paragraphs, we read:
"This happened shortly after the Satan episode..." (p. 375)
"This..." means the incident that had ended with Falkayn growing tense where he sat. "...the Satan episode..." means the events of the novel, Satan's World. If we have been reading Poul Anderson's Technic History as it was originally published, then ideally we have read:
Ten Years Later
I especially appreciate one particular change of scene and of narrative point of view in Poul Anderson's "Lodestar." The opening section of this story ends with the following single-sentence paragraph:
"And then his glance passed over the Nebula, and as if it had spoken to him across more than a thousand parsecs, he fell silent and grew tense where he sat." (p. 375)
The viewpoint character is David Falkayn. Thus, we have been told what Falkayn was perceiving, thinking and feeling since the beginning of the story. In the second sentence, he heard a blaster shot and smelled ozone. In the second, he felt a near miss. In the third, he was dazzled. Thus, it must have been he who saw the lightning which "...reached..." (p. 370) in the opening sentence.
However, in the concluding sentence of the section, the viewpoint begins to withdraw from Falkayn. We are told that he sees the Crab Nebula, that he thinks something about it - as if it spoke to him - and that what he thinks causes him to grow tense where he sits but we are not told what it is. He is having an Andersonian moment of realization, as I have remarked before.
After this enigmatic sentence, a double space between paragraphs indicates a change of scene. We imagine a screen adaptation in which the camera pulls back from Falkayn, then from the spaceship, Muddlin' Through. If Falkayn is beginning to disclose his thoughts to his team-mates, then we are not hearing them.
Next, the omniscient narrator takes up the story but I am being interrupted here so I will publish this much now. We will transition to ten years later.









