Poul Anderson's Terran Empire reminds us of both the British and the Roman Empires.
British when Flandry drawls:
Poul Anderson's Terran Empire reminds us of both the British and the Roman Empires.
British when Flandry drawls:
If we read Poul Anderson's Technic History in chronological order of fictional events, then, by the time we reach "The Master Key," we know that Nicholas van Rijn has initiated his first trade pioneer crew led by David Falkayn although those characters are not mentioned here whereas other employees of van Rijn's Solar Spice & Liquors company are. This is the last Technic History instalment in which we see van Rijn unaccompanied by the members of that first trader team and it is also the last instalment before the no less than four instalments showing increasing problems for the Polesotechnic League:
To Turn The Tide.
The novel climaxes with vastatio (devastation) and slaughter to be followed, according to Marcus Aurelius, by:
I can't help it. I do prefer time travel that is into a single immutable past. Anything else is not travel into our past, is it?
Three pure examples of this kind of narrative are:
Of course, in a single immutable timeline, a time traveller can cause past events but there are greater subtleties than that. He can change the significance of past events. He can seem to have changed the course of events, then turn out not to have done. He can learn about an event, then experience it.
In There Will Be Time, the Eyrie recruits a handful of mutant time travellers, including Jack Havig and Boris, in Jerusalem on the Day of the Crucifixion. Much later along his own world-line, Havig, now organizing an anti-Eyrie group, sends Boris to infiltrate the Eyrie by being recruited into it on the same day as his younger self. Neither the younger Havig nor his recruiters suspect the significance of Boris, sent to that time and place by the older Havig.
Niffenegger's Henry DeTamble knows that his ex killed herself on a particular date. Then he learns that it was his involuntary extratemporal arrival in her apartment that triggered her suicide. He asks her the date. He knows what she will do with the gun that she is wielding. He knows that she will not kill him. He avoids saying anything that will motivate her to shoot herself but she does that anyway - on the date on which she had done it.
Similar things happen in The Anubis Gates. Read them all!
To Turn The Tide, CHAPTER TWENTY-EIGHT.
Artorius reflects:
"Time travel does odd things to your mind, too. Thank God it only happened to me once! If it was routine I'd go bughouse." (p. 402)
That has to be read as a comment on sf works where time travel does become routine and some of those are bughouse although not any of the ones that are discussed and recommended on this blog.
James Blish thought that no author had yet done justice to the concept. He envisaged a novel about an entire society based on a finite-spinning-universe theory which apparently would (have) allow(ed) for time travel.
However, just a simple time travel premise like a small group being displaced to a specific date has endless possibilities. SM Stirling shows us what other authors had not thought of. Poul Anderson would have welcomed this antithesis to the Time Patrol project of holding time and history to a single course. And how will this new series develop?
To Turn The Tide.
All literature is a conversation with earlier literature, sometimes explicitly:
In 49 AD, Manse Everard and Janne Floris of the Time Patrol:
Of Nicholas van Rijn's trade pioneer crew, neither David Falkayn nor Chee Lan but maybe Adzel because of his meditation and studiousness.
Of James Blish's magicians: none. (A book with nothing but villains!)
Of Alan Moore's Watchmen: Doctor Manhattan.
Of Neil Gaiman's Endless: Destiny.
Of SM Stirling's five American time travellers, Mark, who says: