Showing posts with label SOS. Show all posts
Showing posts with label SOS. Show all posts

Monday, 2 September 2013

SOS II-III

I was mistaken in the previous post to say that Poul Anderson's "SOS," section II, (IN Dialogue With Darkness, New York, 1985, p. 205) presents an Asian viewpoint character. It describes Pitar Cheng, commander of the fleet that has captured the Farside station, but he is seen from the viewpoint of our already established central character, Ing Jans.

The title's significance emerges. From the station, Asian missiles will destroy the Westrealm space navy when it lands on Nearside soon. The problem for Jans becomes how to get an SOS message out of the station just as Dominic Flandry needs to smuggle a Mayday message from a colony planet in the similarly entitled "Mayday Orbit."

"SOS" presents three conflicts:

ideological - the collectivist and egalitarian Autarchism of Great Asia as against what a critic calls the "...neofeudal timocracy..." of the Westrealm (p. 195);

ecological - which system can respond more effectively to the imminent terrestrial magnetic field reversal which is expected to cause extinctions and mutations?;

personal: which system does Jans really support?

All this and the Lunar setting are a lot to convey in a few pages.

As in several of Anderson's puzzle stories, there comes a moment when our hero suddenly realizes what he must do:

"He stopped dead. A shudder went through his body, a shout through his brain." (p. 210)

- but the reader must not be told till later, when the battle has been won. Indeed, Jans must lie in order to conceal his realization from his captors.

But there is a twist in the tale. The Asians are defeated but meanwhile the terrestrial magnetic field has nosedived again and will last for another year at most... Jans' less alarmist approach to this issue was mistaken.

SOS

Poul Anderson's short story, "SOS" (Dialogue With Darkness, New York, 1985), first published in 1970, begins with two quotations. The first, dated 1 June, 1966, is presumably the scientific report predicting a magnetic field reversal 2000 years hence that it looks like. The second, dated 13 Heros 4127 and attributed to the Archives of the Astromilitary Institue, is, of course, science fiction.

From the quotations, we go straight to viewpoint character Ing Jans climbing Mount Einstein on Lunar Farside. Googling discloses that there is a Mount Einstein in Alaska but I could not find one on the Moon. The Russians photographed Farside in 1959, bestowing place names like the Sea of Moscow. Anderson must have imagined a further round of naming or renaming by the Western power, the Westrealm, which, in 4127, has built a station on Farside.

Jans sees clearly in the light of the crowded stars, the Milky Way, the nebulae, Jupiter and Saturn, the two outer planets bright enough to cast shadows. I would not have expected that but I trust Anderson. There is nothing artificial on Farside but the station, the road to it and the microwave relay towers by the road. The station, mostly underground, has a radio telescope, an optical observatory and a particle beam. There are busier centers on Nearside. Jans observes and/or reflects on all this, then sees landing spaceships bearing the Sun and Man emblem of Great Asia. The Asians have been described as "Autarchists" but is there also a Mithraist element in their emblem (although no Bull)?

Jans had earlier reflected on an ironical parallel between the rival social systems:

"In Great Asia they allocate spaceship passages by official assignment, in the Westrealm they do it by letting the price of the ticket soar beyond reach of whoever had not the backing of a Kinhouse. For both, the effect is the same." (p. 196)

I have read only to the end of section I (of III) and see that section II presents an Asian viewpoint character. However, my reading of this story has been interrupted by the arrival from the US of my copy of Anderson's Going For Infinity. Although most of the story titles are familiar, I gather that they are accompanied by substantial autobiographical introductions and commentaries so it might be a while before I return to the stories in Dialogue with Darkness.